He drove on. The clouds piled up, blotting out the heavens. Once
Lockley saw a faint glow in the sky and clenched his teeth. He turned
away from it at the first opportunity. The glow could be Serena, and
he could have been forced back toward it by the windings of the
highway he'd followed without lights. Twice Jill warned him of beams
across the highway. Once, driven by his increasing anxiety, his brakes
almost failed to stop him in time. When the car did stop, he was aware
of faint tinglings on his skin. There were erratic flashings in his
eyes, too, and a discordant composite of sounds which by association
with past suffering made him nauseated. Perhaps this extra leakage
from the terror beam was through the metal of the car.
When he got out of that terror beam the sky was three-quarters blacked
out and before he was well away from the spot there was only a tiny
patch of stars well down toward the horizon. There were lightning
flickers overhead. After a time he depended on them to show him the
road.
Then the rain came. The lightning increased. The road twisted and
turned. Twice the car veered off onto the road's shoulders, but each
time he righted it. As time passed conditions grew worse. It was
urgent that he get as far as possible from Serena, because of the Wild
Life truck which could seize Jill and himself if its beam generators
were repaired, and whose occupants could murder them if they weren't.
But it was most urgent that he get away beyond the military cordon to
find men who would listen to his information and see that use was made
of it. Yet in driving rain and darkness, without car lights and daring
to drive only at a crawl, he might be completely turned around.
"I think," he said at last, "I'll turn in at the next farm gate the
lightning shows us. I'll try to get the car into a barn so it won't
show up at daybreak. We might be heading straight back into the Park!"
He did turn, the next time a lightning flash showed him a turn-off
beside a rural free delivery mailbox. There was a house at the end of
a lane. There was a barn. He got out and was soaked instantly, but he
explored the open space behind the wide, open doors. He backed the car
in.
"So," he explained to Jill, "if we have a chance to move we won't have
to back around first."
They sat in the car and looked out at the rain-filled darkness. There
was no light anywhere except when lightning glittered on the rain. In
such illuminations they made out the farmhouse, dripping floods of
water from its eaves. There was a chicken house. There were fences.
They could not see to the gate or the highway through the falling
water, but there had been solid woodland where they turned off into
the lane.
"We'll wait," said Lockley distastefully, "to see if we are in a tight
spot in the morning. If we're well away--and I've no real idea where
we are--we'll go on. If not, we'll hide till dark and hope for stars
to steer by when we go."
Public-domain text, read in full here on John Shaqi.
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