Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the WorldSellon, Edward
History
Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the World
Sellon, Edward
Phallicism; Serpent worship
Among the ruins of Chichen are none more remarkable than that called by
the natives "Egclesia" or the Church. It is described by Mr. Stephens as
consisting of "two immense parallel walls each two hundred and
seventy-five feet long, thirty feet thick, and placed one hundred and
twenty feet apart. One hundred feet from the northern extremity, facing
the space between the walls, stands, on a terrace, a building thirty-five
feet long, containing a single chamber, with the front fallen, and rising
among the rubbish the remains of two columns elaborately ornamented, the
whole interior wall being exposed to view, covered from top to bottom with
sculptured figures in bas-relief much worn and faded. At the southern end
also, placed back a hundred feet and corresponding in position, is another
building eighty-one feet long, in ruins, but also exhibiting the remains
of this column richly sculptured. In the centre of the great stone walls,
exactly opposite each other, and at the height of thirty feet from the
ground, are two massive stone rings, four feet in diameter and one foot
one inch thick, the diameter of the hole is one foot seven inches. On the
rim and border are sculptured two entwined serpents; one of them is
feather-headed, the other is not." May we regard them as allusive to the
Serpent God and the Serpent Goddess of the Aztec mythology? Mr. Stephens
is disposed to regard the singular structure here described as a Gymnasium
or Tennis Court, and supports his opinion by a quotation from Herrara. It
seems to others much more probable that, with the other buildings of the
group, this had an exclusively sacred origin. However that may be, the
entwined serpents are clearly symbolical, inasmuch as we find them
elsewhere, in a much more conspicuous position, and occupying the first
place among the emblematic figures sculptured on the aboriginal temples.
Public-domain text, read in full here on John Shaqi.
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