Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the WorldSellon, Edward
History
Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the World
Sellon, Edward
Phallicism; Serpent worship
Two hundred feet to the south of this edifice is another large and
imposing structure, called Casa de las Monjas, House of the Nuns. It
stands on the highest terraces, and is reached by a flight of steps. It is
quadrangular in form, with a courtyard in the centre. This is two hundred
and fourteen by two hundred and fifty-eight. "Passing through the arched
gateway," says Mr. Stephens, "we enter this noble courtyard, with four
great facades looking down upon it, each ornamented from one end to the
other with the richest and most elaborate carving known in the art of the
builders. The facade on the left is most richly ornamented, but is much
ruined. It is one hundred and sixty feet long, and is distinguished by two
colossal serpents entwined, running through and encompassing nearly all
the ornaments throughout its entire length. At the north end, where the
facade is most entire, the tail of one serpent is held up nearly over the
head of the other, and has an ornament upon it like a turban with a plume
of feathers. There are marks upon the extremity of the tail, probably
intended to represent the rattlesnake, with which the country abounds. The
lower serpent has its monstrous jaws wide open, and within there is a
human head, the face of which is distinctly visible in the stone. The head
and tail of the two serpents at the south end of the facade are said to
have corresponded with those at the north, and when the whole was entire,
in 1836, the serpents were seen encircling every ornament of the building.
The bodies of the serpents are covered with feathers. Its ruins present a
lively idea of the large and many well-constructed buildings of lime and
stone, which Bernal Diaz saw at Campeachy, with figures of serpents and
idols painted on their walls." Mr. Norman mentions that the heads of the
serpents were adorned with plumes of feathers, and that the tails showed
the peculiarity of the rattlesnake.[10]
The eastern facade, opposite that just described, is less elaborately, but
more tastefully ornamented. Over each doorway is an ornament representing
the Sun. In every instance there is a face in the centre, with the tongue
projected, surmounted by an elaborate head-dress; between the bars there
is also a range of many lozenge-shaped ornaments, in which the remains of
red paint are distinctly visible, and at each end is a serpent's head with
the mouth open. The ornament over the principal doorway is much more
complicated and elaborate, and of that marked and peculiar style which
characterizes the highest efforts of the builders.
Public-domain text, read in full here on John Shaqi.
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