She straightened up and looked at me. For the first time since I knew
her I saw her face--which was the color of the white keys of a new
piano--turn pink. I walked toward her without a word. She let the
gathered flowers trickle slowly from her hand to the grass.
"I knew you would come, Jim," she said clearly. "Father wouldn't let me
write, but I knew you would come."
What followed you may guess--there was my wagon and team just across the
river.
I've often wondered what good too much education is to a man if he can't
use it for himself. If all the benefits of it are to go to others, where
does it come in?
For May Martha Mangum abides with me. There is an eight-room house in a
live-oak grove, and a piano with an automatic player, and a good start
toward the three thousand head of cattle is under fence.
And when I ride home at night my pipe and slippers are put away in
places where they cannot be found.
But who cares for that? Who cares--who cares?
TO HIM WHO WAITS
The Hermit of the Hudson was hustling about his cave with unusual
animation.
The cave was on or in the top of a little spur of the Catskills that had
strayed down to the river's edge, and, not having a ferry ticket, had to
stop there. The bijou mountains were densely wooded and were infested
by ferocious squirrels and woodpeckers that forever menaced the summer
transients. Like a badly sewn strip of white braid, a macadamized road
ran between the green skirt of the hills and the foamy lace of the
river's edge. A dim path wound from the comfortable road up a rocky
height to the hermit's cave. One mile upstream was the Viewpoint Inn,
to which summer folk from the city came; leaving cool, electric-fanned
apartments that they might be driven about in burning sunshine,
shrieking, in gasoline launches, by spindle-legged Modreds bearing the
blankest of shields.
Train your lorgnette upon the hermit and let your eye receive the
personal touch that shall endear you to the hero.
A man of forty, judging him fairly, with long hair curling at the ends,
dramatic eyes, and a forked brown beard like those that were imposed
upon the West some years ago by self-appointed "divine healers" who
succeeded the grasshopper crop. His outward vesture appeared to be kind
of gunny-sacking, cut and made into a garment that would have made the
fortune of a London tailor. His long, well-shaped fingers, delicate
nose, and poise of manner raised him high above the class of hermits
who fear water and bury money in oyster-cans in their caves in spots
indicated by rude crosses chipped in the stone wall above.
The hermit's home was not altogether a cave. The cave was an addition
to the hermitage, which was a rude hut made of poles daubed with clay
and covered with the best quality of rust-proof zinc roofing.
Public-domain text, read in full here on John Shaqi.
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