Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
It was true. There was no deception. That was Hans, older, handsomer,
with his boyish tendency to lounge developed into the supple ease of a
man of the world, but with--the words of the young lady who had been
so pleased with his picture came into Minna’s mind almost grotesquely:
‘Those long eyes and that intense look’--the eyes and the look which
are so difficult to read aright in man or woman--experience only can
prove whether they mean a character weak, selfish, and sensuous, or
earnest and passionately clinging in its loves and hates, hopes and
fears. Whatsoever the look might betoken, the man was Hans; and that
woman beside him, in the full splendour of youth and beauty, in the
full pomp of the costliest simplicity of dress, with the bearing
of a queen, and the utterly calm and self-possessed, rather cool
aspect--that was Fulvia.
For a moment the three stood looking at each other, while their
expressions changed half a dozen times. It was Minna who spoke first,
in a voice which she could not force to be steady, tried she never so
hard.
‘Fulvia!’ she said. ‘Hans!’
‘Minna, by Jove!’ ejaculated Hans, recovering from his astonishment. ‘I
never was more floored in my life, though why I should have been I’m
sure I don’t know. It’s the most natural thing in the world for you
to be here--just as it is for us. I have brought Mrs. Marchmont, you
see, to show her an old acquaintance.’ He smiled and looked at Minna’s
statue.
A great change had come over Fulvia’s face. She had grown very pale;
her steady eyes wavered--one could almost have sworn that, for one
moment, they were dim. While Hans was talking, she and Minna had
clasped hands and were looking at one another. Minna was far past
speaking. It was as if her own beloved child, long lost, had returned
to her. Fulvia also seemed not to be possessed of much eloquence. A
grave, sweet smile dawned upon her lips; in a low voice and with an
accent of indescribable tenderness she said:
‘Signora carissima!’
It was the exact tone in which she had often spoken to Minna, when she
had sat with her five years ago, in her little salon at Casa Dietrich,
discussing the woeful future. As she spoke, with a swift, graceful
gesture she lifted Minna’s hands to her lips, and kissed them, one
after the other.
The elder woman was shaken to her innermost being. She felt that, if
she spoke, tears would rush from her eyes and choke her voice. After
a long time, ‘At last!’ she stammered out, and, unable to bear it any
longer, she sat down hastily on the bench, and, still holding Fulvia’s
hand, drew her to the space beside her.
‘Sometimes,’ she said, recovering breath, ‘the gods are good. Sometimes
they send us what we want. They have been good to me to-day.’
Public-domain text, read in full here on John Shaqi.
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