Ormond; Or, The Secret Witness. Volume 1 (of 3)Brown, Charles Brockden
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Ormond; Or, The Secret Witness. Volume 1 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
She found the keeper of the shop engaged in conversation with a lady,
whose person and face instantly arrested the attention of Constantia. A
less sagacious observer would have eyed the stranger with indifference.
But Constantia was ever busy in interpreting the language of features
and looks. Her sphere of observation had been narrow, but her habits of
examining, comparing, and deducing, had thoroughly exhausted that
sphere. These habits were eminently strong with relation to this class
of objects. She delighted to investigate the human countenance, and
treasured up numberless conclusions as to the coincidence between mental
and external qualities.
She had often been forcibly struck by forms that were accidentally seen,
and which abounded with this species of mute expression. They conveyed
at a single glance what could not be imparted by volumes. The features
and shape sunk, as it were, into perfect harmony with sentiments and
passions. Every atom of the frame was pregnant with significance. In
some, nothing was remarkable but this power of the outward figure to
exhibit the internal sentiments. In others, the intelligence thus
unveiled was remarkable for its heterogeneous or energetic qualities;
for its tendency to fill her heart with veneration or abhorrence, or to
involve her in endless perplexities.
The accuracy and vividness with which pictures of this kind presented
themselves to her imagination resembled the operations of a sixth sense.
It cannot be doubted, however, that much was owing to the enthusiastic
tenor of her own conceptions, and that her conviction of the truth of
the picture principally flowed from the distinctness and strength of its
hues.
The figure which she now examined was small, but of exquisite
proportions. Her complexion testified the influence of a torrid sun; but
the darkness veiled, without obscuring, the glowing tints of her cheek.
The shade was remarkably deep; but a deeper still was required to become
incompatible with beauty. Her features were irregular, but defects of
symmetry were amply supplied by eyes that anticipated speech and
positions which conveyed that to which language was inadequate.
It was not the chief tendency of her appearance to seduce or to melt.
Hers were the polished cheek and the mutability of muscle, which belong
to woman, but the genius conspicuous in her aspect was heroic and
contemplative. The female was absorbed, so to speak, in the rational
creature, and the emotions most apt to be excited in the gazer partook
less of love than of reverence.
Public-domain text, read in full here on John Shaqi.
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