Meanwhile, I was anxious that Constantia should leave her present abode and join me in New York. She willingly adopted this arrangement, but conceived it necessary to spend a few days at her house in Jersey. She could reach the latter place without much deviation from the straight road, and she was desirous of resurveying a spot where many of her infantile days had been spent. This house and domain I have already mentioned to have once belonged to Mr. Dudley. It was selected with the judgement and adorned with the taste of a disciple of the schools of Florence and Vicenza. In his view, cultivation was subservient to the picturesque, and a mansion was erected, eminent for nothing but chastity of ornaments and simplicity of structure. The massive parts were of stone; the outer surfaces were smooth, snow-white, and diversified by apertures and cornices, in which a cement uncommonly tenacious was wrought into proportions the most correct and forms the most graceful. The floors, walls, and ceilings, consisted of a still more exquisitely-tempered substance, and were painted by Mr. Dudley's own hand. All appendages of this building, as seats, tables, and cabinets, were modelled by the owner's particular direction, and in a manner scrupulously classical. He had scarcely entered on the enjoyment of this splendid possession, when it was ravished away. No privation was endured with more impatience than this; but, happily, it was purchased by one who left Mr. Dudley's arrangements unmolested, and who shortly after conveyed it entire to Ormond. By him it was finally appropriated to the use of Helena Cleves, and now, by a singular contexture of events, it had reverted to those hands in which the death of the original proprietor, if no other change had been made in his condition, would have left it. The farm still remained in the tenure of a German emigrant, who held it partly on condition of preserving the garden and mansion in safety and in perfect order. This retreat was now revisited by Constantia, after an interval of four years. Autumn had made some progress, but the aspect of nature was, so to speak, more significant than at any other season. She was agreeably accommodated under the tenant's roof, and found a nameless pleasure in traversing spaces in which every object prompted an endless train of recollections. Her sensations were not foreseen. They led to a state of mind inconsistent, in some degree, with the projects adopted in obedience to the suggestions of a friend. Every thing in this scene had been created and modelled by the genius of her father. It was a kind of fane, sanctified by his imaginary presence.