Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
moral delinquencies are such a cause of worry to Cecily's guardian, and
the guardian himself masquerading as Ernest Worthing. A pretty
combination for complications to start with, but the author strews
Ernest about with a prodigality that excites our admiration, and he
gives us a third Ernest in the person of Alexander Moncrieffe, who,
learning that his friend is left alone at home, and that she is
extremely beautiful, determines to go down and make love to her. In
order to gain admittance to the house, he passes himself off as Ernest
Worthing, the imaginary naughty brother, and is warmly welcomed by
Cecily. In ten minutes he has wooed and won her, and the happy pair
disappear into the house just before John Worthing arrives on the scene.
Now that he has proposed and been accepted there is no longer any
necessity for inventing an excuse for his absences from home, and in
order to be rid of what might prove to be an embarrassing, although a
purely fictitious, person, he has invented a story of his putative
brother's death in Paris. He enters dressed in complete black, black
frock-coat, black tie, black hatband, and black-bordered handkerchief.
There follows a delightful comedy scene between him and Algernon, whose
imposture he cannot expose without betraying himself. Meanwhile,
Gwendolen has followed her sweetheart to make the acquaintance of
Cecily, and now arrives _en scene_. The two girls become bosom friends
at once, and all goes happily until the name of Ernest Worthing is
mentioned, and although no such person exists yet each of them imagines
herself to be engaged to him. The situation is, to use a theatrical
slang term, "worked up," and the young ladies pass from terms of
endearment to mutual recriminations. A pitched battle is on the tapis,
but with the appearance of their lovers, and their enforced explanation,
peace is restored between the two, and they join forces in annihilating
with scathing word and withering look the wretches who have so basely
deceived them. Never, never could either of them love a man whose name
was not Ernest. Each of them was engaged to Ernest Worthing, but, in the
words of the immortal Betsy Prig when referring to Mrs 'Arris, "There
ain't no sich person."
Public-domain text, read in full here on John Shaqi.
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