Our Nervous Friends — Illustrating the Mastery of NervousnessCarroll, Robert S. (Robert Sproul)
Science
Our Nervous Friends — Illustrating the Mastery of Nervousness
Carroll, Robert S. (Robert Sproul)
Nervous system -- Hygiene
For over ten years "Doc" Stoneleigh has lived with his mother, a
recluse, a morphin-soaked wreck. Sometimes he may be seen in a park
near their home, sitting for hours inert, or automatically tracing
figures in the gravel with his cane, noticing no one, unkempt, almost
repellent. He is still sufficiently shrewd to secure morphin in
violation of the law. Sooner or later the revenue department will cut
off his supply. He drifts, a rotting hulk of manhood, unconsciously
nearing the horrors of a drugless reality.
The depth of this man's degradation may tempt us to feel that he was
defective, but an accurate analysis of his life fails to reveal any
deficiency save that reprehensible training which made possible his
years of physical and mental indolence.
CHAPTER VIII
LEARNING TO EAT
It was three in the early July afternoon. The large parlor, which had
been turned into a bedroom, was darkened by closely-drawn shades; a
dim, softened light coming from a half-hidden lamp deepened the dark
rings around the worn nurse's eyes--eyes which bespoke sleepless
nights and a heavy heart. A wan mother stood near the nurse, every
line of her face showing the pain of lengthened anxiety. Tensely one
hand held the other, the restraint of culture, only, keeping her from
wringing them in her anguish. Dr. Harkins, the village physician,
stood at the foot of the bed, his honest face set in strong lines in
anticipation of the worst. Many scenes of suffering had rendered him
only more sympathetic with human sorrow, sympathetic with the real,
increasingly intolerant of the false. At the bed-side stood the
expert, who had come so far, at so great an expense-long, rough miles
by auto that a few hours might be saved-who had come, they all
believed, to decide the fate of the beloved girl who lay so death-like
before them.
Ruth Rivers was the only one in the room who was not keenly alert or
distressingly tense. Even in her waxy whiteness and unnatural
emaciation, her face was good. The forehead was high and, with the
symmetrical black eyebrows and long, dark lashes, suggested at a
glance the good quality of her breeding. The aquiline nose was pinched
by suffering, the finely curving lips were now bloodless and drawn
tight from time to time, as though to repress the cry of pain; these
marks of suffering could not rob her countenance of its refinement.
Her breathing was shallow; at times it seemed irregular; and wan,
almost inert, the fragile figure seemed nearing the eternal parting
with its soul. The silence of the sick-room was fearsomely ominous.
Public-domain text, read in full here on John Shaqi.
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