Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
*I have seen one which affected me much more. Walking in the Church-lane
with one of the young ladies of the vicarage, we met a large flock of
sheep, with the usual retinue of shepherds and dogs. Lingering after
them and almost out of sight, we encountered a straggling ewe, now
trotting along, now walking, and every now and then stopping to look
back, and bleating. A little behind her came a lame lamb, bleating
occasionally, as if in answer to its dam, and doing its very best to
keep up with her. It was a lameness of both the fore-feet; the knees
were bent, and it seemed to walk on the very edge of the hoof--on
tip-toe, if I may venture such an expression. My young friend thought
that the lameness proceeded from original malformation, I am rather
of opinion that it was accidental, and that the poor creature was
wretchedly foot-sore. However that might be, the pain and difficulty
with which it took every step were not to be mistaken; and the distress
and fondness of the mother, her perplexity as the flock passed gradually
out of sight, the effort with which the poor lamb contrived to keep up
a sort of trot, and their mutual calls and lamentations were really
so affecting, that Ellen and I, although not at all lachrymose sort of
people, had much ado not to cry. We could not find a boy to carry the
lamb, which was too big for us to manage;--but I was quite sure that the
ewe would not desert it, and as the dark was coming on, we both trusted
that the shepherds on folding their flock would miss them and return for
them;--and so I am happy to say it proved.
Another turning of the dell gives a glimpse of the dark coppice by which
it is backed, and from which we are separated by some marshy, rushy
ground, where the springs have formed into a pool, and where the
moor-hen loves to build her nest. Ay, there is one scudding away now;--I
can hear her plash into the water, and the rustling of her wings amongst
the rushes. This is the deepest part of the wild dingle. How uneven
the ground is! Surely these excavations, now so thoroughly clothed with
vegetation, must originally have been huge gravel pits; there is no
other way of accounting for the labyrinth, for they do dig gravel in
such capricious meanders; but the quantity seems incredible. Well! there
is no end of guessing! We are getting amongst the springs, and must
turn back. Round this corner, where on ledges like fairy terraces the
orchises and arums grow, and we emerge suddenly on a new side of the
dell, just fronting the small homestead of our good neighbour Farmer
Allen.
Public-domain text, read in full here on John Shaqi.
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