Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
There she sits under an old elder-tree which flings its branches over
her like a canopy, whilst the setting sun illumines her venerable figure
and touches the leaves with an emerald light; there she sits, placid and
smiling, with her spectacles in her hand and a measure of barley on
her lap, into which the little girls are dipping their chubby hands
and scattering the corn amongst the ducks and chickens with unspeakable
glee. But those ingrates the poultry don't seem so pleased and thankful
as they ought to be; they mistrust their young feeders. All domestic
animals dislike children, partly from an instinctive fear of their
tricks and their thoughtlessness; partly, I suspect, from jealousy.
Jealousy seems a strange tragic passion to attribute to the inmates of
the basse cour,--but only look at that strutting fellow of a bantam cock
(evidently a favourite), who sidles up to his old mistress with an
air half affronted and half tender, turning so scornfully from the
barley-corns which Annie is flinging towards him, and say if he be not
as jealous as Othello? Nothing can pacify him but Mrs. Allen's notice
and a dole from her hand. See, she is calling to him and feeding him,
and now how he swells out his feathers, and flutters his wings, and
erects his glossy neck, and struts and crows and pecks, proudest and
happiest of bantams, the pet and glory of the poultry yard!
In the meantime my own pet May, who has all this while been peeping into
every hole, and penetrating every nook and winding of the dell, in hopes
to find another rabbit, has returned to my side, and is sliding her
snake-like head into my hand, at once to invite the caress which she
likes so well, and to intimate, with all due respect, that it is time to
go home. The setting sun gives the same warning; and in a moment we are
through the dell, the field, and the gate, past the farm and the mill,
and hanging over the bridge that crosses the Loddon river.
Public-domain text, read in full here on John Shaqi.
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