There is a blasphemous story by Leonid Andreyev, which recounts the bitterness of the after years of Lazarus and the mischief Christ wrought in recalling him from the grave. After his unnatural return to life there was a blueness as of putrescence beneath his pallor; an iciness to his touch; a choking silence in his presence; a horror in his gaze, as if he were remembering his three days in the sepulchre--as if forbidden knowledge groped behind his eyes. He rarely looked at any one; there were none who courted his glance, who did not creep away to die. The terror of his fame spread beyond Bethany. Rome heard of him, and at that safe distance laughed. It did not laugh after Caesar Augustus had sent for him. Caesar Augustus was a god upon earth; he could not die. But when he had questioned Lazarus, peeped through the windows of his eyes, and read what lay hidden in that forbidden memory, he commanded that red-hot irons should quench such sight for ever. From Rome Lazarus groped his way back to Palestine and there, long years after his Saviour had been crucified, continued to stumble through his own particular Gethsemane of blindness. I thought of that story in the presence of this crowd, which carried with it the taint of the grave. But the band was still playing the Marseillaise--over and over it played it. With each repetition it was as though these people, three years dead, made another effort to cast aside their shrouds. Little by little something was happening--something wonderful. Backs were straightening; skirts were being caught up; resolution was rippling from face to face--it passed and re-passed with each new roll of the drums. The hoarse cries and moaning with which we had commenced were gradually transforming themselves into singing. There were some who were too weak to walk; these were carried by the American Red Cross men into the waiting ambulances. The remainder were marshalled into a disorderly procession and led out of the station by the band. We were moving down the hill to the palaces beside the lake--the palaces to which all France used to troop for pleasure. We moved soddenly at first, shuffling in our steps. But the drums were still rolling out their defiance and the bugles were still blowing. The laziest man in the French Army was doing his utmost to belie his record. The ill-shod, flattened feet took up the music. They began to dance. Were there ever feet less suited to dancing? That they should dance was the acme of tragedy. Stockings fell down in creases about the ankles. Women commenced to jig their Boche babies in their arms; consumptive men and ancients waved their sauce-pans and grotesque bundles of umbrellas. The sight was damnable. It was a burlesque. It pierced the heart. What right had the Boche to leave these people so comic after he had squeezed the life-blood out of them?