Now peoples like those of the round towns, no less than primitive peoples generally, conceive of everything made, whether structure, utensil, or weapon, as animistic, as living. They conceive of this life of things as they do of the lives of plants, of hibernating animals, or of sleeping men, as a still sort of life generally, but as potent and aware, nevertheless, and as capable of functioning, not only obdurately and resistingly but also actively and powerfully in occult ways, either for good or for evil. As every living thing they observe, every animal, has form, and acts or functions according to its form--the feathered and winged bird flying, because of its feathered form; the furry and four-footed animal running and leaping, because of its four-footed form, and the scaly and finny fish swimming, because also of its fins and scales and form appropriate thereto--so these things made or born into special forms of the hands of man also have life and function variously, according to their various forms. As this idea of animals, and of things as in other sort animals, is carried out to the minutest particular, so that even the differences in the claws of beasts, for example, are supposed to make the difference between their powers of foot (as between the hugging of the bear and the clutching of the panther), it follows that form in all its details is considered of the utmost importance to special kinds of articles made and used, even of structures of any much used or permanent type. Another phase of this curious but perfectly natural attributive of life and form-personality to material things, is the belief that the forms of these things not only give them power, but also restrict their power, so that if properly made, that is, made and shaped strictly as other things of their kind have been made and shaped, they will perform only such safe uses as their prototypes have been found to serve in performing before them. As the fish, with scales and fins only, can not fly as the duck does, and as the duck can not swim under the water except so far as his feathers, somewhat resembling scales, and his scaly, webbed feet, somewhat resembling fins enable him to do so, thus also is it with things. In this way may be explained better than in any other way, I think, the excessive persistency of form-survival, including the survival of details in conventional ornamentation in the art products of primitive peoples--the repetitions, for instance, in pottery, of the forms and even the ornaments of the vessels, basketry, or what not, which preceded it in development and use and on which it was first modeled. This tendency to persist in the making of well-tried forms, whether of utensil or domicile, is so great that some other than the reason usually assigned, namely, that of mere accustomedness, is necessary to account for it, and the reason I have given is fully warranted by what I know of the mood in which the Zuñis still regard