In the Kâ´kâ, or the mythic drama dance organization of the Zuñis, there is equal evidence of dual origin, for while in the main the _kâ´kâ_ of the Zuñis corresponds to the _katzina_ of the Rio Grande Pueblo tribes and to the _kachina_ of the Tusayan Indians, yet it possesses certain distinct and apparently extraneous features. The most notable of these is found in that curious organization of priest-clowns, the Kâ´yimäshi, the myth of the origin of which is so fully given in the following outlines (see page 401). It will be seen that in this myth these Kâ´yimäshi are described as having heads covered with welts or knobs, that they are referred to not only as "husbands of the sacred dance" or the "_kâ´kâ_" (from _kâ´kâ_ and _yémäshi_, as in _óyemäshi_, husband or married to) and as the Old Ones or _Á‘hläshiwe_. Throughout the Rio Colorado region, and associated with all the remaining ruins of the rancheria builders in central and even eastern Arizona as well, are found certain concretions or other nodular and usually very rough stones, which today, among some of the Yuman tribes, are used as fetiches connected both with water worship and household worship. Among the sacred objects said to have been brought by the Zuñi ancestry from the places of creation are a number of such fetich-stones, and in all the ruins of the later Zuñi towns such fetich-stones are also found, especially before rude altars in the plazas and around ancient, lonely shrines on the mesas and in the mountains. These fetich-stones are today referred to as _á‘hläshiwe_, or stone ancients, from _a_, a stone, _‘hlä´shi_, aged one, and _we_, a plural suffix. The resemblance of this name to the _Á‘hläshiwe_ as a name of the Kâ´yemäshi strongly suggests that the nodular shape and knobbed mask-heads of these priest-clowns are but dramatic personifications of these "stone ancients," and if one examine such stones, especially when used in connection with the worship and invocation of torrents, freshets, and swift-running streams (when, like the masks in question, they are covered with clay), the resemblance between the fetich-stones and the masks is so striking that one is inclined to believe that both the characters and their names were derived from this single source. From the fact that this peculiar institution of the clown-priest organization, associated with or, as the Zuñis say, literally married to the Cachina, or Kâ´kâ proper, was at one time peculiarly Zuñi, as is averred by themselves and avowed by all the other Pueblos, it would seem that it was distinctively an institution of the western branch of their ancestry, since also, as the myths declare, these Old Ones were born on the sacred mountains of the Kâ´kâ, on the banks of the Colorado Chiquito in Arizona. Finally, this is typical of many, if not all, features which distinguish the Zuñi Kâ´kâ from the corresponding organizations of other Pueblo tribes. OUTLINE OF ZUÑI MYTHO-SOCIOLOGIC ORGANIZATION.