Over Bemerton's : $b An easy-going chronicleLucas, E. V. (Edward Verrall)
General
Over Bemerton's : $b An easy-going chronicle
Lucas, E. V. (Edward Verrall)
London (England) -- Social life and customs -- 20th century -- Fiction; Middle-aged men -- Fiction
"You are the gentleman," she said, "from abroad who has the beautiful
niece, and reads old books all night, and talks to mother in the
mornings about what London used to be like thirty years ago--the
gentleman who promises to go to the theatre to see Miss Verity but
never gets nearer than a music hall. Am I right, sir?" she
concluded, with an adorably mischievous smile.
"Quite right," I said. "We are very extraordinary people, it is
clear, and we ought to succeed as duettists."
"Yes," she said, "Falconer and Verity--thought-readers and
clairvoyants. That sounds all right."
"Verity is indeed an inspiration," I added. "It would make the
fortune of a palmist."
"Oh," she said, "don't make any jokes about my name. I am so tired
of them. Punch did it again only last week. Please ring for
Mrs.--Mrs.--Duckie," she added, "but before I go I want you to
promise me something. Promise me that if I send you a box you will
not only come to the theatre but bring your niece too. Will you
promise?"
I promised, and Mrs. Duckie appearing, the apparition disappeared.
Be-trice's illness brought me a second meeting with her illustrious
brother Alf Pinto. He looked in to see if she was well enough to be
driven to Epping, and by his mother's wish came into my room.
I told him that I had heard him at the Frivoli, and he seemed to be
as gratified as any other kind of artist would be. "But I've got a
better song than any of those," he assured me, and forthwith sang it.
I suppose that to be as assured as that is half-way towards the
conquest of the world; but for my part I could as easily undress in a
crowded drawing-room as sing an unaccompanied song. He fixed me with
his bold, roguish eye throughout three long coarse verses and three
inane choruses. And without any shame, too; but indeed how could he
have shame, for there was none over: I had it all. I had no notion
where to look until he had done.
"That's a clinker, isn't it?" he said, and his words once more
convinced me how needlessly we can suffer for others, for they proved
him utterly oblivious to any confusion or want of appreciation on my
part.
I temporised. "With proper costume and a full band it ought to go
very well," I said; and I suppose it would, for the thing was as ugly
and tawdry as the people want. Another exposure of marriage. The
awakening after the raptures of courtship to the disenchantment of
wedded life: the horror of crying twins and a bad-tempered wife and
all the rest of it. The cruelty, the hateful ugliness, of this
tireless delight in the ruin of the happiest of all human hopes!
"Why," I said, "do you always sing this kind of thing? Why is there
no song about a happy marriage with some love and trust in it?"
"Where's the joke?" he asked.
"But surely," I said, "it could be made humorous or amusing enough.
Surely there are families that have cheerfulness and gaiety as well
as quarrels and poverty and drink. Look at your own father and
mother."
Public-domain text, read in full here on John Shaqi.
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