Over Bemerton's : $b An easy-going chronicleLucas, E. V. (Edward Verrall)
General
Over Bemerton's : $b An easy-going chronicle
Lucas, E. V. (Edward Verrall)
London (England) -- Social life and customs -- 20th century -- Fiction; Middle-aged men -- Fiction
My last music hall was, I remember, on a Monday night,--I sailed on
the Wednesday and spent the Tuesday night at home,--and it was a very
special occasion--the benefit of Sam Adams, the manager of the Royal,
in Holborn. I have since been in the Royal as it is to-day--it is
called the Holborn Empire--and how changed! Two performances
nightly, and not a single thing the same except its site. Sam had a
red, impetuous face and curly hair, and a shirt front that, one felt,
would cover the Oval.
I asked Alf Pinto about him, and found that his name was not even
known; but Trist tells me he is dead, and his own hall--the
Trocadero, or Troc, as it was called by the bloods--has disappeared
too, and is now a restaurant. Poor Sam! It is odd what flashes of
insight one has. I remember thinking that night, in the midst of his
triumph and all the jolly good-fellowship that sweltered round him,
that he did not look as if marked out for happiness or longevity.
I cannot remember much of the evening, but George Leybourne was there
with two or three slap-up songs, and Lieutenant Cole the
ventriloquist, and Sam Redfern, a burnt-cork cynic, and Henri Clark,
a comic singer, and an extraordinary couple named Ryley and Marie
Barnum, who called themselves (to the total exclusion of George Fox)
"the Original Quakers," the adjective made necessary, I imagine, by
too successful imitation of their discreet yet mischievous caperings.
Trist tells me that of these entertainers Leybourne is dead (to think
that death should come also to Champagne Charley!), Henri Clark owns
a music-hall in the Edgware Road, and Sam Redfern was recently in the
bankruptcy court through inability to make a chicken farm pay. Well,
well!
But if I can see no more of the performances of these variety stars,
there are two or three actors still performing whom I saw that month
during my farewell round of gaiety. Lionel Brough, who was then with
Willie Edouin and Lydia Thompson in _Blue Beard_ at the Globe, is
still playing, and Wyndham, who was in _Brighton_ at the Royal Court,
is active almost as ever; but James Thorne, whom I laughed at in _Our
Boys_ at the Vaudeville, Irving who was in _Hamlet_ at the Lyceum,
Buckstone and Sothern in _Our American Cousin_ at the
Haymarket--where are they?
Public-domain text, read in full here on John Shaqi.
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