Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918Root, Esther Sayles
History
Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918
Root, Esther Sayles
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
I had almost finished when some boys came running out to play. They were
little chaps in the inevitable black aprons, and on their heads the
round sailor tams topped by a rosette. Some clustered around the artist,
the rest looked over my shoulder. They began to take sides. "Pas mal
çà," said one sitting on the curb beside me. "L'autre est mieux,"
genially put in another. At that several champions sprang magnanimously
forward--I say magnanimously, for really my efforts weren't too
successful. Age and weather and the piecemeal way in which the château
was built have given it that irregularity which is charming. The towers
tilt and the roofs sag in a way to make Bob's architectural soul recoil;
but I have rendered these with such unstinted charm that in general
perspective the château seems to have aged several centuries. One rosy
eight-year-old shook his head and declared vehemently: "Je mettrais
quinze jours â faire un tel dessein!" I asked him if they taught drawing
in school. It seems that every Tuesday and Friday "one" draws pitchers
and cups and casseroles and that day the whole class had drawn his
whistle. One day they draw the map of États-Unis. "Oh," I said, "c'est
de là que je viens, moi."
Then began a thousand questions, and I related what wonders I could, for
joy to see the many eyes grow rounder and rounder. There are buildings
in New York--I told them--there were buildings in New York ten times as
high as the château. "Pas possible!" was the general verdict. My
eight-year-old pushed his way out of the crowd and ran to the corner of
the street. "Dis donc, Julien!" he called out, "viens ici, écouter ce
qu'il y a aux États-Unis!" Another boy came running from the house and
joined him, and I saw him out of the corner of my eye, pointing out the
tower of the château with astounding comments. I went on describing the
elevators in the high buildings and how fast they went. But they had
never seen an elevator. He who has missed a French elevator cannot
complain of any great lack, but it certainly does heighten the
difficulty of fifty-eight stories. I had finished. My pals started to go
off, lured on by some one's "prelotte" (hop-scotch stone). I said, "Vous
pouvez dire hop-scotch?" They all tried in different tones and
tempos--and it was drôle comme tout. We all burst out laughing and I
started on my way. "'Voir, Mam'selle," they called after me, lifting
their "bonnets" and waving. I walked home smiling.
What I should have missed if the sketch-book hadn't inspired me--or if
French were an unknown tongue--or if you hadn't let me come to France!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account