It is just so with writing in verse. It was not understood that
everybody can learn to make poetry, just as they can learn the more
difficult tricks of juggling. M. Jourdain's discovery that he had been
speaking and writing prose all his life is nothing to that of the man
who finds out in middle life, or even later, that he might have been
writing poetry all his days, if he had only known how perfectly easy and
simple it is. Not everybody, it is true, has a sufficiently good ear,
a sufficient knowledge of rhymes and capacity for handling them, to be
what is called a poet. I doubt whether more than nine out of ten, in
the average, have that combination of gifts required for the writing of
readable verse.
This last expression of opinion created a sensation among The Teacups.
They looked puzzled for a minute. One whispered to the next Teacup,
“More than nine out of ten! I should think that was a pretty liberal
allowance.”
Yes, I continued; perhaps ninety-nine in a hundred would come nearer to
the mark. I have sometimes thought I might consider it worth while to
set up a school for instruction in the art. “Poetry taught in twelve
lessons.” Congenital idiocy is no disqualification. Anybody can write
“poetry.” It is a most unenviable distinction to leave published a thin
volume of verse, which nobody wanted, nobody buys, nobody reads, nobody
cares for except the author, who cries over its pathos, poor fellow, and
revels in its beauties, which he has all to himself. Come! who will be
my pupils in a Course,--Poetry taught in twelve lessons? That made a
laugh, in which most of The Teacups, myself included, joined heartily.
Through it all I heard the sweet tones of Number Five's caressing voice;
not because it was more penetrating or louder than the others, for it
was low and soft, but it was so different from the others, there was so
much more life,--the life of sweet womanhood,--dissolved in it.
(Of course he will fall in love with her. “He? Who?” Why, the newcomer,
the Counsellor. Did I not see his eyes turn toward her as the silvery
notes rippled from her throat? Did they not follow her in her movements,
as she turned her tread this or that way?
--What nonsense for me to be arranging matters between two people
strangers to each other before to-day!)
“A fellow writes in verse when he has nothing to say, and feels too dull
and silly to say it in prose,” said Number Seven.
Public-domain text, read in full here on John Shaqi.
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