It took us about three days to get settled and from then on our cushy time started. We would parade from 8.45 in the morning until 12 noon. Then except for an occasional billet or brigade guard we were on our own. For the first four or five afternoons I spent my time in bringing up to date my neglected correspondence. Tommy loves to be amused, and being a Yank, they turned to me for something new in this line. I taught them how to pitch horseshoes, and this game made a great hit for about ten days. Then Tommy turned to America for a new diversion. I was up in the air until a happy thought came to me. Why not write a sketch and break Tommy in as an actor? One evening after "Lights out," when you are not supposed to talk, I imparted my scheme in whispers to the section. They eagerly accepted the idea of forming a Stock Company and could hardly wait until the morning for further details. After parade, the next afternoon I was almost mobbed. Everyone in the section wanted a part in the proposed sketch. When I informed them that it would take at least ten days of hard work to write the plot, they were bitterly disappointed. I immediately got busy, made a desk out of biscuit tins in the corner of the billet, and put up a sign "Empey & Wallace Theatrical Co." About twenty of the section, upon reading this sign, immediately applied for the position of office boy. I accepted the twenty applicants, and sent them on scouting parties throughout the deserted French village. These parties were to search all the attics for discarded civilian clothes, and anything that we could use in the props of our proposed Company. About five that night they returned covered with grime and dust, but loaded down with a miscellaneous assortment of everything under the sun. They must have thought that I was going to start a department store, judging from the different things they brought back from their pillage. After eight days' constant writing I completed a two-act farce comedy which I called The Diamond Palace Saloon. Upon the suggestion of one of the boys in the section I sent a proof of the program to a printing house in London. Then I assigned the different parts and started rehearsing. David Belasco would have thrown up his hands in despair at the material which I had to use. Just imagine trying to teach a Tommy, with a strong cockney accent, to impersonate a Bowery Tough or a Southern Negro. Adjacent to our billet was an open field. We got busy at one end of it and constructed a stage. We secured the lumber for the stage by demolishing an old wooden shack in the rear of our billet. The first scene was supposed to represent a street on the Bowery in New York. While the scene of the second act was the interior of the Diamond Palace Saloon, also on the Bowery. In the play I took the part of Abe Switch, a farmer, who had come from Pumpkinville Center, Tennessee, to make his first visit to New York.