To return to the side-street. So far as one could see, it had not received a dent, not a scratch. Even the little windows of the little red houses were by no means all broken. All the front doors stood ajar. I hesitated to walk in, for these houses seemed to be mysteriously protected by influences invisible. But in the end the vulgar, yet perhaps legitimate, curiosity of the sightseer, of the professional reporter, drove me within the doors. The houses were so modest that they had no entrance-halls or lobbies. One passed directly from the street into the parlour. Apparently the parlours were completely furnished. They were in an amazing disorder, but the furniture was there. And the furnishings of all of them were alike, as the furnishings of all the small houses of a street in the Five Towns or in a cheap London suburb. The ambition of these homes had been to resemble one another. What one had all must have. Under ordinary circumstances the powerful common instinct to resemble is pitiable. But here it was absolutely touching. Everything was in these parlours. The miserable, ugly ornaments, bought and cherished and admired by the simple, were on the mantelpieces. The drawers of the mahogany and oak furniture had been dragged open, but not emptied. The tiled floors were littered with clothes, with a miscellany of odd possessions, with pots and pans out of the kitchen and the scullery, with bags and boxes. The accumulations of lifetimes were displayed before me, and it was almost possible to trace the slow transforming of young girls into brides, and brides into mothers of broods. Within the darkness of the interiors I could discern the stairs. But I was held back from the stairs. I could get no further than the parlours, though the interest of the upper floors must have been surpassing.