Wood, ‘being a mere scholar,’ could, of course, expect nothing but
disrespect in a place like Oxford. His younger contemporary, Humphrey
Prideaux, was, in the Oxford manner, a man of the world. He was the son
of a Cornish squire, was educated at Westminster under Busby (that awful
pedagogue, whose birch seems so near a memory), got a studentship at
Christ Church in 1668, and took his B.A. degree in 1672. Here it may be
observed that men went up quite as late in life then as they do now, for
Prideaux was twenty-four years old when he took his degree. Fell was
Dean of Christ Church, and was showing laudable zeal in working the
University Press. What a pity it is that the University Press of to-day
has become a trading concern, a shop for twopenny manuals and penny
primers! It is scarcely proper that the University should at once
organise examinations and sell the manuals which contain the answers to
the questions most likely to be set. To return to Fell; he made Prideaux
edit Lucius Florus, and publish the _Marmora Oxoniensia_, which came out
1676. We must not suppose, however, that Prideaux was an enthusiastic
archæologist. He did the _Marmora_ because the Dean commanded it, and
because educated people were at that period not uninterested in Greek
art. At the present hour one may live a lifetime in Oxford and only
learn, by the accident of examining passmen in the Arundel Room, that the
University possesses any marbles. In the walls of the Arundel Room (on
the ground-floor in the Schools’ quadrangle) these touching remains of
Hellas are interred. There are the funereal stelæ, with their quiet
expression of sorrow, of hope, of resignation. The young man, on his
tombstone, is represented in the act of rising and taking the hand of a
friend. He is bound on his latest journey.
‘He goeth forth unto the unknown land,
Where wife nor child may follow; thus far tell
The lingering clasp of hand in faithful hand,
And that brief carven legend, _Friend_, _farewell_.
O pregnant sign, profound simplicity!
All passionate pain and fierce remonstrating
Being wholly purged, leave this mere memory,
Deep but not harsh, a sad and sacred thing.’ {120}
The lady chooses from a coffer a trinket, or a ribbon. It is her last
toilette she is making, with no fear and no regret. Again, the
long-severed souls are meeting with delight in the home of the just made
perfect.
[Picture: Trinity College Gates, Parks’ Road]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account