THE name of her late Majesty Queen Anne has for some little time been a kind of party watch-word. Many harmless people have an innocent loyalty to this lady, make themselves her knights (as Mary Antoinette has still her sworn champions in France and Mary Stuart in Scotland), buy the plate of her serene period, and imitate the dress. To many moral critics in the press, however, Queen Anne is a kind of abomination. I know not how it is, but the terms ‘Queen Anne furniture and blue china’ have become words of almost slanderous railing. Any didactic journalist who uses them is certain at once to fall heavily on the artistic reputation of Mr. Burne Jones, to rebuke the philosophy of Mr. Pater, and to hint that the entrance-hall of the Grosvenor Gallery is that ‘by-way’ with which Bunyan has made us familiar. In the changes of things our admiration of the Augustan age of our literature, the age of Addison and Steele, of Marlborough and Aldrich, has become a sort of reproach. It may be that our modern preachers know but little of that which they traduce. At all events, the Oxford of Queen Anne’s time was not what they call ‘un-English,’ but highly conservative, and as dull and beer-bemused as the most manly taste could wish it to be. The _Spectator_ of the ingenious Sir Richard Steele gives us many a glimpse of non-juring Oxford. The old fashion of Sanctity (Mr. Addison says, in the _Spectator_, No. 494) had passed away; nor were appearances of Mirth and Pleasure looked upon as the Marks of a Carnal Mind. Yet the Puritan Rule was not so far forgotten, but that Mr. Anthony Henley (a Gentleman of Property) could remember how he had stood for a Fellowship in a certain College whereof a great Independent Minister was Governor. As Oxford at this Moment is much vexed in her Mind about Examinations, wherein, indeed, her whole Force is presently expended, I make no scruple to repeat the account of Mr. Henley’s Adventure: