American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
Why does man crave self-abasement? Pascal is an example. Caesar wept
when, after watching a ballet of beautiful girls dance, he saw them
killed. But he didn't weep from pity, but with ecstasy because of their
beauty. The aesthetic temperament. Love is not a sentiment, it's a
sensation. The Japanese know that. An orchestra of sensations in which
the silences are sonorous. What an Iliad of Imbecility is the history
of mankind. My idealistic anxiety over my affairs is proof positive of
their pettiness. We never escape the prison of self, though we attempt
to project our personality into the thoughts of another; this process
is called sympathy. But a thought and a thing are identical. There is
no thought-stuff different from thing-stuff, says William James. We
can never know anything outside of ourselves. Oh! the sour hair, the
dark breath of these psychologists! In the cuisine of love there are
flavours for all tastes. Else ugly women wouldn't be sought after. Are
there any ugly women? my brother Oswald used to say that once a pillow
over their face all women were alike to him. Discriminating person,
Oswald. His mind must be a slop-jar of the infinite. How mirific to
mingle our essences. What immaculate perception is required to pick the
precise woman with whom to "amalgamate our sublimes." The vagabondage
of my soul through the universe, fluid, profound, and choral, is a gift
denied most men and women. Yet it is at my threshold for the asking.
My conceit is character--I think; yours is merely apoplectic. The
lassitudes of love are divine. The human plant does not best flourish
in the sunlight of success; it needs darkness, sin, sorrow, crime, to
bring it to a rich maturity. The ignoble dung of miseries demands the
spade of adversity. And Flaubert has said that the ignoble is the lower
slope of the sublime. Which is consoling. As Rabelais would remark: I
am an abstractor of quintessences.
Public-domain text, read in full here on John Shaqi.
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