American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
Folding-doors opened and there slowly defiled through them a band
of beautiful girls, bearing silver platters. These girls were quite
naked save for a scarf which depended from their shoulders, wound
under their breasts and traversed their thighs. Blonde and brunette;
all the intermediate flesh-tints. There were a dozen and not one was
more than twenty. Their hair was filleted and their feet in sandals. A
dazzling vision from some old Greek processional cult, thought Ulick
as he clapped his palms in company with his companions. "My God, I'm
hungry," roared Robbie, and the laughter was deafening. "Listen to the
gourmand," commented the Zephyr. "Here I've gathered the finest choir
of virgins he ever saw and the beggar yells for food. What guts you
boast, Rob." The silver platters held hors d'oeuvres of quality. No
sakuzka at a Russian dinner could show so many exotic delicacies. With
these appetizers were tiny glasses of aperitives. The virgins vanished,
only to reenter with fresh dishes. No soup was served. Oysters and
shell fish. Birds. Salads. One half the band carried bottles. Champagne
of the dryest sort. Ulick was hungry enough to forget that he was being
waited upon by a plump blonde nude angel and ate as unconcernedly
as if she were a plain waitress, clothed and from the hills of New
Hampshire. Parisian training hath its uses. The candles in sconces at
the side were grateful to the eyes, the rich yet subdued tones of the
tapestry and Persian rugs evoked a harmonious atmosphere. To the memory
of Ulick, furnished with images of European picture-galleries, there
came Venetian episodes, festal suppers, and the mellow debaucheries of
Tintoretto's days and the days of the Doges. Sensualist as he was he
experienced a slight sensation of satiety.
Public-domain text, read in full here on John Shaqi.
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