Palissy the Huguenot Potter: A True TaleBrightwell, C. L. (Cecilia Lucy)
History
Palissy the Huguenot Potter: A True Tale
Brightwell, C. L. (Cecilia Lucy)
Palissy, Bernard, 1510?-1590
“I think,” she said, in answer to an observation made by Montmorency,
“the balance of advantages lies much in the favour of the first design,
to which I shall, therefore, give the preference, and will immediately
give directions for digging the foundations of the new palace, and it
shall be named, from the site on which it is built, the Palace of the
Tuileries.” “Well, madam,” said the constable, “your majesty has
admirably chosen, and skilfully selected, an appropriate name for the
intended royal abode.” “It occurred to my recollection,” said Catherine,
“that one of the finest quarters of ancient Athens was called the
Ceramic, because it occupied ground once held by extra-mural potteries.”
“Speaking of potteries reminds me, madam,” said Montmorency, “of the
principal object I had in seeking an interview with your majesty. Among
the workmen I have employed at Écouen, there is a mechanic who evinces a
surprising genius in the art of painting on glass, and who has invented
an enamelled earthenware of great beauty. I know of none equal to him in
skill, and, in fact, I cannot supply his place should he be sacrificed.”
“You should not allow so great a treasure to slip through your hands.
What danger threatens him?” “He is a Huguenot, madam,” was the reply.
“No matter,” said the queen, laughing, “his heresy won’t alter the hues
of his glass or pottery-ware.” “Nay; but he has fallen into the hands of
Nogeret, one of the royalist leaders in Saintonge, and will infallibly be
hanged or burned, and serve him right, as I should say, for a heretic
knave, but that my work is incomplete, and that Master Palissy is a rare
workman. Such skill, too, as he shows in designing, and in the adorning
of gardens! In short, he is precisely the man whom your majesty would
find invaluable in the works you have now in prospect.”
Queen Catherine was by no means unwilling, in so trifling a matter, to
oblige the great constable; besides that, she had a taste for the
patronage of clever artists, and knew too well the difficulty of
procuring such a one as had been described, to turn a deaf ear to the
hint thrown out by Montmorency. “Let an edict be issued, in the king’s
name,” she said, “appointing this Palissy ‘workman in earth to his
majesty.’ He will then, as a servant of the king, be removed from the
jurisdiction of Bordeaux, and his cause can come under no other
cognizance than that of the grand council.” Montmorency expressed his
gratitude, and rose to depart, when the Queen carelessly remarked, “That
was a blundering affair of M. de Guise at Vassy; it drove the Protestants
to such extreme measures that the game of moderation was at an end.” The
constable made no reply, save to shrug his shoulders; but the young king
tittered the following impromptu, which history has preserved:
“François premier, prédit ce point,
Que ceux de la maison de Guise
Mettraient ses enfants en pourpoint
Et son pauvre peuple en chemise.” {126}
Public-domain text, read in full here on John Shaqi.
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