Pamela Pounce: A tale of tempestuous petticoatsCastle, Egerton
History
Pamela Pounce: A tale of tempestuous petticoats
Castle, Egerton
Great Britain -- History -- George III, 1760-1820 -- Fiction; London (England) -- Fiction; Romance fiction
Very deliberately she divested her glossy chestnut hair of its discreet
cap, loosened the swelling waves a trifle more on either side of the
firm rose-tinted ivory of her face.
“If a dash of powder was for poor girls like me, I wouldn’t be too
bad-looking. I’d say that for myself,” she thought, and firmly set the
hat of the Marquise at the right angle over her radiant brow.
Well, it was a complete success. Like every true artist she was doubly
critical of herself, but Pamela had to admit that she could find no
flaw in her own taste and that the wide-brimmed curving Italian straw
with its bold sweep of purple ribbon, and its hanging bunches of
cowslips was a remarkably fine set-off for the glory of her amber hair
and the audacious brilliance of her complexion. Without a tinge of envy
or discontent she surveyed herself thoughtfully.
“Upon my word, Pamela Pounce, my girl!”--she was fond of addressing
herself mentally; as it were her strong reasonable mind to her
agreeable body. “You would have held your own with the best of them if
it had been the fancy of Providence to set you in the aristocracy. Ugh!”
With a piercing scream she started out of her complacent reflection.
A horrible olive-hued, leering face appeared over her shoulder in the
mirror; a blue-clothed arm stole round her waist.
Pamela swung herself free, whisked the hat off her head ready to use it
as a weapon should Monsieur Ildefonse pursue his advances.
In the dead pause the quick rustle of Madame Eglantine’s light summer
flounces were heard on the stairs.
Instantly the ex-hairdresser’s countenance lost its satyr smiles, and
became composed into its usual mask of smooth propriety.
“Is that you, _mon Agneau rose_?” he cooed.
“Yes, yes, it is I, _petit rat de mon cœur_,” she replied.
These endearments having perfunctorily passed between them, Madame
halted on the threshold and sent the glitter of her swift glance from
her spouse to her apprentice.
“I took the liberty of trying on the hat what I’ve just trimmed,
M’dame,” said Pamela then in her brazen way.
She wasn’t going to put it into Monsieur Ildefonse’s power to tell on
her behind her back, or worse still, to pretend to be shielding her.
She knew his slimy ways.
“You do well to call it a liberty,” said Madame Ildefonse, showing
all her small pointed teeth as if she wanted to bite Pamela. She was
panting a little, and there was a sort of whiteness about her nostrils
that pointed to considerable if repressed emotion. “But let it pass.
You were giving your opinion, I presume, my cabbage-stalk?”
“Meess very naturally wished me to admire your exquisite taste, _ma
tendre biche_,” he responded. “‘No one,’ says she to me, ‘but Madame
Eglantine could have made this inimitable, this absolutely original and
distinguished combination, all the while retaining the stamp of the
most high tone.’”
Monsieur Ildefonse was very glib of tongue.
Public-domain text, read in full here on John Shaqi.
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