Pamela Pounce: A tale of tempestuous petticoatsCastle, Egerton
History
Pamela Pounce: A tale of tempestuous petticoats
Castle, Egerton
Great Britain -- History -- George III, 1760-1820 -- Fiction; London (England) -- Fiction; Romance fiction
But star succeeds to star; one Monsieur Charles was Court twiddler,
curler, crimper, frizzer, and general head artist. For Monsieur
Ildefonse had come into a heritage and retired. Not a fallen star,
therefore; merely astronomically removed to another hemisphere! He
shone now, though, it may be added, with a doubtful radiance, in a
restricted connubial circle; in other words, he sat at home and totted
up accounts for his clever, money-making spouse; made bargains for
her with flower manufacturers and mercers, and bullied the stewards of
great houses when Madame la Duchesse or Madame la Connétable forgot to
remember such insignificances as the settlement of bills.
Unanimously the workgirls adored him, with the single exception of
Pamela; and the relations between Madame Eglantine and her consort,
characterised in public by the most touching demonstrativeness, were
regarded as the very romance of matrimony. But Pamela, who had come
under the glance, more often than she cared, of Monsieur Ildefonse’s
slyly roving eye, had her private opinion.
She shuddered from him as she had shuddered from the fat, sleek, brown
slugs that came out after rain on the garden walls at home.
As a little girl she would explain: “’Tain’t that I’m afraid, you see,
but it makes me creep.”
She could have found no better words in which to describe the effect
upon her of the fascinating Monsieur Ildefonse.
There was a midday lull, this scorching day, even in Madame Eglantine’s
thriving establishment. It was late season, too, and save for orders
like that of the little Marquise D’Aimargues, for such as were
privileged to join in the pastimes of Royal haymaking and churning,
or a stray wedding order, business was slack, and the great little
milliner herself was preparing for that round of the most noted
watering places, with “just a few models” in her baggage, which was her
thrifty fashion of spending the holidays.
Pamela cast, in passing, a hasty glance between the green curtains
of the _Bureau_, to assure herself that her pet aversion was safely
employed.
He had removed his wig on account of the heat, and she turned her
eyes quickly away from the revolting spectacle of his close-cropped
bristling black head and the roll of olive fat at the back of his neck
above the embroidered collar of his blue cloth coat.
The pink, be-padded, be-wreathed, be-gilded, be-mirrored, be-draped
salons of Madame Eglantine were empty. Pamela walked slowly into the
middle of the front room and hesitated. Her own charming shape was
reflected from every possible angle. Down below, the whole _Place_
seemed asleep; a buzz of flies within and without, a lazy footfall on
the shady side and a distant rumble emphasised the universal drowsiness.
When Madame la Marquise’s coach came along there would be a prodigious
clatter to wake them all up. Pamela knew that she was quite safe. It’s
all very well to trim a hat. You never know what it’s like till you’ve
tried it on.
Public-domain text, read in full here on John Shaqi.
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