Paper & paper making, ancient and modernHerring, Richard
History
Paper & paper making, ancient and modern
Herring, Richard
Papermaking
The curious, and in some instances absurd terms, which now puzzle
us so much in describing the different sorts and sizes of paper,
may frequently be explained by reference to the various paper-marks
which have been adopted at different periods. In ancient times, when
comparatively few people could read, pictures of every kind were
much in use where writing would now be employed. Every shop, for
instance, had its sign, as well as every public-house, and those
signs were not then, as they often are now, only painted upon a
board, but were invariably actual models of the thing which the sign
expressed—as we still occasionally see some such sign as a bee-hive,
a tea-canister, or a doll, and the like. For the same reason printers
employed some device, which they put upon the title pages and at the
end of their books, and paper makers also introduced marks, by way of
distinguishing the paper of their manufacture from that of others;
which marks becoming common, naturally gave their names to different
sorts of paper. And since names often remain long after the origin of
them is forgotten and circumstances are changed, it is not surprising
to find the old names still in use, though in some cases they are
not applied to the same things which they originally denoted. One of
the illustrations of ancient water-mark which I have given in the
accompanying plate; that of an open hand with a star at the top,
which was in use as early as 1530; probably gave the name to what is
still called _hand_ paper.
Another very favourite paper-mark, at a subsequent period 1540-60,
was the jug or pot, which is also shown, and would appear to have
originated the term _pot_ paper. The foolscap was a later device, and
does not appear to have been nearly of such long continuance as the
former. It has given place to the figure of Britannia, or that of
a lion rampant, supporting the cap of liberty on a pole. The name,
however, has continued, and we still denominate paper of a particular
size, by the title of _foolscap_. The original figure has the cap and
bells, of which we so often read in old plays and histories, as the
particular head-dress of the fool, who at one time formed part of
every great man’s establishment.
I have met with the water-mark of a cap, much simpler than that which
we have just noticed, somewhat resembling the jockey-caps of the
present day, with a trifling ornamentation or addition to the upper
part. The first edition of “Shakspeare,” printed by _Isaac Jaggard &
Ed. Blount_, 1623, will be found to contain this mark, interspersed
with several others of a different character. No doubt the general
use of the term _cap_ to various papers of the present day owes its
origin to marks of this description.
The term _imperial_ was in all probability derived from the finest
specimens of papyri, which were so called by the ancients.
[Illustration: (Water-marks)]
Public-domain text, read in full here on John Shaqi.
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