Paris and the Parisians in 1835 (Vol. 1)Trollope, Frances Milton
History
Paris and the Parisians in 1835 (Vol. 1)
Trollope, Frances Milton
Paris (France) -- Description and travel; Paris (France) -- Social life and customs -- 19th century
There is much wisdom in thus giving to music an important part in the
public ceremonies of religion. Nothing commands and enchains the
attention with equal power: the ear may be deaf to eloquence, and the
thoughts may often grovel earthward, despite all the efforts of the
preacher to lead them up to heaven; but few will find it possible to
escape from the effect of music; and when it is of such a character as
that performed in the Roman Catholic church on Good-Friday, it can
hardly be that the most volatile and indifferent listener should
depart unmoved.
This service was advertised as "The Three Hours' Agony." The crowd
assembled to listen to it was immense. It is impossible to speak too
highly of the composition of the music; it is conceived in the very
highest tone of sublimity; and the deeply effective manner of its
performance recalled to me an anecdote I have heard of some young
organist, who, having accompanied an anthem in a manner which appeared
greatly superior to that of the usual performer, was asked if he had
not made some alteration in the composition. "No," he replied, "I have
not; but I always read the words when I play."
So, I should think, did those who performed the services at St. Roch
on Good-Friday; and nothing can be imagined more touching and
effective than the manner in which the whole of these striking
ceremonies were performed and arranged there.
The awful gospel of the day furnished a theme for the impassioned
eloquence of several successive preachers; one or two of whom were
wonderfully powerful in their manner of recounting the dreadful
narrative. They were all quite young men; but they went through the
whole of the appalling history with such deep solemnity, such strength
of imagery and vehemence of eloquence, as to produce prodigious
effect.
At intervals, while the exhausted preachers reposed, the organ, with
many stringed instruments, and a choir of exquisite voices, performed
the same gospel, in a manner that made one's whole soul thrill and
quiver within one. The suffering--the submission--the plaintive yet
sublime "It is finished!" and the convulsive burst of indignant nature
that followed, showing itself in thunder, hail, and earthquake, were
all brought before the mind with most miraculous power. I have been
told since, that the services at Notre Dame on that day were finer
still; but I really find some difficulty in believing that this is
possible.
Public-domain text, read in full here on John Shaqi.
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