Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The RevolutionBlagdon, Francis William
History
Paris as It Was and as It Is: A Sketch Of The French Capital, Illustrative Of The Effects Of The Revolution
Blagdon, Francis William
Paris (France) -- Description and travel
The alterations and embellishments made in the different apartments
of the GALLERY OF ANTIQUES have been executed under the immediate
direction of their author, M. RAYMOND, member of the National
Institute, and architect to the NATIONAL PALACE OF ARTS AND SCIENCES.
In winter, the apartments are kept warm by means of flues, which
diffuse a genial vapour. Here, without the expense of a single
_liard_, the young draughtsman may form his taste by studying the
true antique models of Grecian sculpture; the more experienced artist
may consult them as he finds occasion in the composition of his
subjects; while the connoisseur, the amateur, or the simple observer
may spend many an agreeable hour in contemplating these master-pieces
which, for centuries, have inspired universal admiration.
These are the materials on which Genius ought to work, and without
which the most promising talent may be greatly misapplied, if not
entirely lost. It was by studying closely these correct models, that
the great MICHAEL ANGELO, the, sublime RAPHAEL, and other eminent
masters, acquired that idea of excellence which is the result of the
accumulated experience of successive ages. Here, in one visit, the
student may imbibe those principles to ascertain which many artists
have consumed the best part of their days; and penetrated by their
effect, he is spared the laborious investigation by which they came
to be known and established. It is unnecessary to expatiate on the
advantages which the fine arts may expect to derive from such a
repository of antiques in a capital so centrical as Paris. The
contemplation of them cannot fail to fire the genius of any artist of
taste, and prompt his efforts towards the attainment of that grand
style, which, disdaining the minute accidental particularities of
individual objects, improves partial representation by the general
and invariable ideas of nature.
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