Now, pass through the Pavillon de l’Horloge (called on its W side Pavillon Sully) into the =second= of the three courts of the Louvre. To understand this portion of the building, again, you must remember that shortly after the erection of the Old Louvre, Catherine de Médicis began to build her palace of the =Tuileries=, now destroyed, to the W of it. She (and subsequent rulers) designed to unite the Old Louvre with the Tuileries by a =gallery= which should run along the bank of the river. Of that gallery, Catherine de Médicis herself erected a considerable portion, to be described later, and Henri IV almost completed it. Later on, Napoleon I conceived the idea of extending a similar gallery along his new Rue de Rivoli, on the N side, so as to enclose the whole space between the Louvre and the Tuileries in one gigantic double courtyard. Napoleon III carried out his idea. The =second court= in which you now stand is entirely flanked by buildings of this epoch—the Second Empire. Examine it cursorily as far as the modern statue of Gambetta. Stand or take a seat by the railing of the garden opposite the Pavillon Sully. The part that now faces you forms a portion of the building of François I^{er} and Louis XIII, re-decorated in part by Napoleon I. The portions to your R and L (consult Baedeker’s map) are entirely of the age of Napoleon III, built so as to conceal the want of parallelism of the outer portions. Observe their characteristic Pavillons, each bearing its own name inscribed upon it. This recent square, though quite modern in the character of its sculpture and decoration, is Renaissance in its general architecture, and, when looked back upon from the gardens of the Tuileries, affords a most excellent idea of that stately style, as developed in France under François I^{er}. The whole of this splendid plan, however, has been rendered futile by the destruction of the Tuileries, without which the enclosure becomes wholly meaningless.