Parodies of the works of English & American authors, vol. II
General
Parodies of the works of English & American authors, vol. II
Parodies
I love the squirrel that hops in the corn,
And the cricket that quaintly sings;
And the emerald pigeon that nods his head,
And the shad that gaily springs.
I love the dainty sunflower too,
And Maud with her snowy breast;
I love them all;――but I love――I love――
I love my country best.
This is certainly very beautiful, and sounds somewhat like
Tennyson. Though it was rejected by the committee, it can
never lose its value as a piece of excellent reading for
children. It is calculated to fill the youthful mind with
patriotism and natural history, besides touching the
youthful heart with an emotion palpitating for all.
Notice the following
NATIONAL ANTHEM
BY R. H. STOD――――
Behold the flag! Is it not a flag?
Deny it, man, if you dare;
And midway spread, ’twixt earth and sky,
It hangs like a written prayer.
Would impious hand of foe disturb
Its memories’ holy spell,
And blight it with a dew of blood?
Ha, tr-r-aitor!! * * * It is well.
And this is the last of the rejected anthems I can quote
from at present, my boy, though several hundred pounds yet
remain untouched.
Yours, questioningly,
ORPHEUS C. KERR.
[Illustration]
Longfellow has borrowed the refrain of “The Old Clock on the Stairs”
from a phrase of Jacques Bridaine:――
“L’éternité est une pendule, dont le balancier dit et redit
sans cesse ces deux mots seulement, dans le silence des
tombeaux: ‘Toujours! jamais! Jamais! toujours!’”
“And from its station in the hall
An ancient timepiece says to all,――
‘For ever――never!
Never――for ever!’
“Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs alas!
With sorrowful voice to all who pass,――
‘For ever――never!
Never――for ever!’”
It is somewhat remarkable that such a poet as Charles Beaudelaire, the
tone of whose writings is generally far removed from that of
Longfellow, should so often have borrowed sentiments and ideas from
him. Thus in “L’Horloge” he has two verses distinctly reminiscent of
“The Old Clock”:――
“Horloge! dieu sinistre, effrayant, impassible,
Dont le doight nous menace, et nous dit: _Souviens-toi!_
Les vibrantes Douleurs dans ton cœur, plein d’effroi,
Se planteront bientôt comme dans une cible.
* * * * *
Public-domain text, read in full here on John Shaqi.
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