Pastoral Days; or, Memories of a New England YearGibson, W. Hamilton (William Hamilton)
History
Pastoral Days; or, Memories of a New England Year
Gibson, W. Hamilton (William Hamilton)
Natural history -- New England; Natural history -- Outdoor books
But I believe we were on the road to that carding-mill. We had almost
forgotten it; and now, as we look ahead, we see the old lumber-shed that
marks the upper ledge of Devil’s Hollow. From this old shed a
trout-brook plunges through a series of rocky terraces, now winding
among prostrate moss-grown trunks, now gurgling through the bare roots
of great white birches, or spreading in a swift, glassy sheet as it
pours across some broad shelving rock, and plunges from its edge in a
filmy water-fall. It roars pent up in narrow cañons, and out again it
swirls in a smooth basin worn in the solid rock. At almost every rod or
two along its precipitous course there is a mill somewhere hid among the
trees--queer, quaint little mills, some built up on high stone walls,
others fed with trickling flumes which span from rock to rock,
supporting on every beam a rounded cushion of velvety green moss, and
hanging a fringe of ferns from almost every crevice. And one there is in
ruins, fallen from its lofty perch, and piled in chaos in the stream.
There are saw-mills, and shook-mills, and carding-mills, seven
altogether in this one descent of about three hundred feet. The water
enters the ravine as pure as crystal; but in its wild booming through
race-ways, dams, and water-wheels, it gradually assumes a rich sienna
hue from the _débris_ of sawdust everywhere along its course. The
interior of the ravine is musical with the trebles of the falling water
and the accompaniment of the rumbling mills. Tiny rainbows gleam beneath
the water-falls, and swarms of glistening bubbles and little islands of
saffron-colored foam float away upon the dark-brown eddies.
At last we reach the carding-mill, which is the lowest of them all--in
every sense, it seems, for it is as I had feared: the flume is but a
pile of brown and mouldy timbers in the bed of the stream, and the old
box-wheel has rotted and fallen from its spokes, almost obscured beneath
a rank growth of weeds. No sound of buzzing teasels, no rumbling of the
water-wheel, no happy carder singing at his work: _nothing_--but a
couple of boys, kneeling in a corner, sucking cider through a straw.
Yes, the old mill has fallen from grace; but what else might one expect
from a mill in “Devil’s Hollow,” where all its neighbors are engaged in
making hogshead staves, and the very water has turned to ruddy wine?
[Illustration: THE CIDER MILL.]
The carding-machine is gone, and has given place to a rustic
cider-press. A temporary undershot-wheel has been rigged beneath the
floor, and a rude trough, patched up with sods, conducts the water from
the stream.
Public-domain text, read in full here on John Shaqi.
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