Pathfinding on Plain and Prairie: Stirring Scenes of Life in the Canadian North-westMcDougall, John
History
Pathfinding on Plain and Prairie: Stirring Scenes of Life in the Canadian North-west
McDougall, John
Frontier and pioneer life -- Northwest, Canadian; McDougall, John, 1842-1917; Northwest, Canadian -- Description and travel
This being settled the warriors parade around the camp in full
review. Others go and cut down the "idol tree," and now the warriors
break ranks, and dashing into the camp open the lodges and take from
them the young women of the camp and hurry these along with them to
haul home the idol tree. Many long lines are fastened to this tree,
and the women on foot and the warriors on horseback take hold of
these lines and pull together, and thus proceed homeward. Others act
as drivers and shout and fire off their guns to urge on the men and
women. As the camp is neared immense crowds of the old and infirm
and of women and children join in the march, and thus the idol tree
is brought to the spot where the temple is to stand.
Meanwhile others are cutting and hauling home the posts and pillars
and beams required for the "big lodge." Not a nail or pin is used in
this structure. Each joint and splice is firmly secured with green
hide, which as it dries becomes very tight and strong. All work with
alacrity. Everything about the erection of the temple is done on the
principle that "the king's business requires haste."
When the idol tree is raised in place the conjurers make a special
effort with medicine-rattles and religious singing. Some make the
"nest" in the idol tree, or, as it might be called, the sacrificial
table, and fasten in and on this the sacrifices which had been
purchased long before at the trading-posts for this purpose. All the
timbers in place, the whole is covered with the lodges of the
principal men of the camp, it being thought an honor to have these
used in this way. And now the high priest approaches. He has a big
buffalo head mask, both himself and the head well covered with earth.
Stepping slowly, and wailing as he walks, he enters the temple.
Immediately on his entrance is made the inner circle for those who
have vows and will dance through the long hours. Then a spot in the
temple is selected for the drummers and singers, and these come in
turns, so that the choir is continuous day and night during the
festival. Fire is placed in four places, and on these fires are put
sweet smelling herbs, which as they burn create incense. Then the
high priest takes a whole parchment and speaks to the Great Spirit,
and to all the lesser powers; then swings the parchment four times,
while all the dancers blow their horn whistles. The high priest now
throws the parchment into the centre, all the drummers and singers
start up, and the entire company join in the chorus. In the inner
circle, and immediately around the "idol tree," the real dancers who
are to undergo torture are arranging themselves.
Public-domain text, read in full here on John Shaqi.
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