Paths of Glory: Impressions of War Written at and Near the FrontCobb, Irvin S. (Irvin Shrewsbury)
History
Paths of Glory: Impressions of War Written at and Near the Front
Cobb, Irvin S. (Irvin Shrewsbury)
World War, 1914-1918 -- Campaigns -- Western Front; World War, 1914-1918 -- Personal narratives
We chose for our place of waiting a row of seats before a taverne, and
there we sat, side by side, keeping count of the guns booming in the
distance, until it began to rain. A sergeant came up then and invited
us to go with him, in order that we might escape a wetting. He waved us
into the doorway of a house two doors from where we had been sitting, at
the same time suggesting to us that we throw away our cigars and
cigarettes. When we crossed the threshold we realized the good intention
behind this advice, seeing that the room we entered, which had been a
shop of sorts, was now an improvised powder magazine.
From the floor to the height of a man it was piled with explosive shells
for field guns, cased in straw covers like wine bottles, and stacked in
neat rows, with their noses all pointing one way. Our guide led us
along an aisle of these deadly things, beckoned us through another
doorway at the side, where a sentry stood with a bayonet fixed on his
gun, and with a wave of his hand invited us to partake of the
hospitalities of the place. We looked about us, and lo! we were hard-
and-fast in jail!
I have been in pleasanter indoor retreats in my time, even on rainy
afternoons. The room was bedded down ankle-deep in straw; and the
straw, which had probably been fresh the day before, already gave off a
strong musky odor--the smell of an animal cage in a zoo.
For furnishings, the place contained a bench and a large iron pot
containing a meat stew, which had now gone cold, so that a rime of gray
suet coated the upper half of the pot. But of human occupants there was
an ample sufficiency, considering the cubic space available for
breathing purposes. Sitting in melancholy array against the walls, with
their legs half buried in the straw and their backs against the
baseboards, were eighteen prisoners--two Belgian cavalrymen and sixteen
Frenchmen--mostly Zouaves and chasseurs-a-pied. Also, there were three
Turcos from Northern Africa, almost as dark as negroes, wearing red
fezzes and soiled white, baggy, skirtlike arrangements instead of
trousers. They all looked very dirty, very unhappy and very sleepy.
At the far side of the room on a bench was another group of four
prisoners; and of these we knew two personally--Gerbeaux, a Frenchman
who lived in Brussels and served as the resident Brussels correspondent
of a Chicago paper; and Stevens, an American artist, originally from
Michigan, but who for several years had divided his time between Paris
and Brussels. With them were a Belgian photographer, scared now into a
quivering heap from which two wall-eyes peered out wildly, and a negro
chauffeur, a soot-black Congo boy who had been brought away from Africa
on a training ship as a child. He, apparently, was the least-concerned
person in that hole.
Public-domain text, read in full here on John Shaqi.
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