Patrician and Plebeian: Or The Origin and Development of the Social Classes of the Old DominionWertenbaker, Thomas Jefferson
History
Patrician and Plebeian: Or The Origin and Development of the Social Classes of the Old Dominion
Wertenbaker, Thomas Jefferson
Virginia -- History -- Colonial period, ca. 1600-1775; Virginia -- Social life and customs -- To 1775
It was the interior of these mansions, however, that gave them their
chief claim to elegance. The stairways, the floors, the mantles were
of the finest wood and were finished in the most costly manner. In the
beautiful halls of Rosewell richly carved mahogany wainscotings and
capitals abounded.[114] At Monticello the two main halls were given an
air of richness and beauty by the curiously designed mantles, the hard
wood floors and the stately windows and doors. John Bernard, who
thought the Virginia mansions lacking in architectural beauty, stated
that internally they were palaces.
The furniture was in keeping with its surroundings. It was frequently
of hard wood, beautifully decorated with hand work. All the furniture,
except that of the plainest design, was imported from England, and
could be bought by the planters at a price very little above that paid
in London. Costly chairs, tables, book-cases, bedsteads, etc., were
found in the homes of all well-to-do men.
The Virginians seem to have had at this period a passion for silver
ware, and in their homes were found a great variety of articles made
of this metal. There were silver candle-sticks, silver snuffers,
silver decanters, silver snuff-boxes, silver basins. The dining table
on festive occasions groaned with the weight of silver utensils, for
goblets, pitchers, plates, spoons of silver were then brought forth
to do honor to the guests. The punch might be served in silver bowls
and dished out with silver ladles into silver cups; for the fruit
might be silver plates, for the tea silver pots. The silver plate at
Westover was mortgaged by William Byrd III to the value of £662. Among
other articles we find that ten candle-sticks brought £70, one
snuffer-stand £5, two large punch bowls £30, a punch strainer £1.10,
and a punch ladle £1.[115] Robert Carter, of Nomini Hall, was very
fond of fine silver. In 1774 he invested about £30 in a pair of
fashionable goblets, a pair of sauce-cups and a pair of decanter
holders.[116]
In many homes were collections of pictures of great merit and value.
In the spacious halls of the mansions were hung the portraits of
ancestors that were regarded with reverential pride. The Westover
collection was perhaps the most valuable in the colony, containing
several dozen pictures, among them one by Titian, one by Rubens, and
portraits of several lords of England.[117] Mount Airy, the beautiful
home of the Tayloe family, contained many paintings, which were well
executed and set in elegant frames.[118] Although most of the pictures
in the homes of the aristocracy were imported from England, some were
painted in Virginia, for at times artists of talent came to the
colony. In 1735 a man named Bridges painted William Byrd's children.
It is thought also that it was he that painted the portrait of
Governor Spotswood and possibly several pictures of the Page
family.[119]
Public-domain text, read in full here on John Shaqi.
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