Thanks to his natural amiability and known benevolence of disposition,
added to some severe reverses of fortune he had sustained, envy and
malice were content to let him alone; and for some time M. de Gercourt
possessed not a single enemy, but unhappily his literary ambition (the
only really noble, great, and praiseworthy ambition a man can indulge
in) created for him, after a time, a host of petty and hostile
jealousies. Some friends still remained firm and unaltered; but only a
fall, at once striking and humiliating, from the high position he then
occupied, could have restored him to universal good-will. The majority
of the literati of the time viewed with angry mistrust the introduction
of this fresh pretender within the arena of their own triumphs. For
ourselves, we have never been able to comprehend the bitter feeling let
loose upon a man, by all the public writers of the day, against whom
nothing more injurious could be adduced, than that he sought to improve
and employ his leisure hours by the ennobling study of literature in
general.
The reader will now find himself introduced into several boxes of the
Comédie Française, where he will meet many of the personages of our
history, attracted, by universal curiosity, to witness the first
representation of this dramatic effort.
CHAPTER XIV
DRESS CIRCLE.--BOX NO. 7
Bertha de Brévannes occupied one of the places in this box; her husband
was behind her. The two other seats were vacant.
Bertha had her hair plainly, but most becomingly arranged, and wore a
gown of black crape. Her beautiful chestnut locks, her delicate and
transparent skin, her ivory neck and shoulders, were all admirable, and
even brilliant. Her features were impressed with melancholy, for, three
days before, her husband had had that distressing interview with Pierre
Raimond which we have narrated. She wished to have remained at home,
but, fearing to irritate M. de Brévannes, had consented to accompany
him.
He, by one of those contrasts very natural to men, was deeply galled at
the coldness of his wife, and had resolved to overcome it, less by any
repentance for the past, than in order to follow out the inherent
obstinacy of his own disposition. In vain did he try, however, to make
her forget the wrongs which ought to have made him blush. She had been
too cruelly wounded to be so easily appeased.
M. de Brévannes had taken a box for this representation so much talked
about, with the intention of being agreeable to his wife.
[Illustration 08: The Dress Circle Box No. 7]
The curtain had not yet been drawn up, and the house was filling
rapidly. Bertha went very seldom into society, but in spite of her
sadness she looked awhile with childish curiosity at the persons as they
entered their boxes, and then relapsed into her painful reverie.
M. de Brévannes, annoyed at the silence of his wife, said to her,
whilst with difficulty he repressed his temper,--
"Bertha, what is the matter?"
"Nothing, Charles."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account