Pausanias' description of Greece, Volume II.Pausanias, active approximately 150-175
History
Pausanias' description of Greece, Volume II.
Pausanias, active approximately 150-175
Greece -- Antiquities; Greece -- Description and travel -- Early works to 1800
And the seaport at Ægira (both town and seaport have the same name) is
72 stades from the temple of Hercules Buraicus. Near the sea there is
nothing notable at Ægira, from the port to the upper part of the town
is 12 stades. In Homer[16] the town is called Hyperesia, the present
name was given to it by the Ionian settlers for the following reason.
A hostile band of Sicyonians was going to invade their land. And they,
not thinking themselves a match for the Sicyonians, collected together
all the goats in the country, and fastened torches to their horns,
and directly night came on lit these torches. And the Sicyonians, who
thought that the allies of the Hyperesians were coming up, and that
this light was the campfires of the allied force, went home again: and
the Hyperesians changed the name of their city because of these goats,
and at the place where the goat that was most handsome and the leader
of the rest had crouched down there they built a temple to Artemis the
Huntress, thinking that this stratagem against the Sicyonians would
not have occurred to them but for Artemis. Not that the name Ægira
prevailed at once over Hyperesia. Even in my time there are still some
who call Oreus in Eubœa by its old name of Hestiæa. At Ægira there
is a handsome temple of Zeus, and his statue in a sitting posture in
Pentelican marble by the Athenian Euclides. The head and fingers and
toes are of ivory, and the rest is wood gilt and richly variegated.
There is also a temple of Artemis, and a statue of the goddess which is
of modern art. A maiden is priestess, till she grows to a marriageable
age. And the old statue that stands there is, according to the
tradition of the people at Ægira, Iphigenia the daughter of Agamemnon:
and if they state what is correct, the temple must originally have been
built to Iphigenia. There is also a very ancient temple of Apollo,
ancient is the temple, ancient are the gables, ancient is the statue
of the god, which is naked and of great size. Who made it none of the
natives could tell: but whoever has seen the Hercules at Sicyon, would
conjecture that the Apollo at Ægira was by the same hand as that,
namely by Laphaes of Phlius. And there are some statues of Æsculapius
in the temple in a standing position, and of Serapis and Isis apart in
Pentelican marble. And they worship most of all Celestial Aphrodite:
but men must not enter her temple. But into the temple of the Syrian
goddess they may enter on stated days, but only after the accustomed
rites and fasting. I have also seen another building in Ægira, in which
there is a statue of Fortune with the horn of Amalthea, and next it
a Cupid with wings: to symbolize to men that success in love is due
to chance rather than beauty. I am much of the opinion of Pindar in
his Ode that Fortune is one of the Fates, and more powerful than her
sisters. And in this building at Ægira is a statue of a man rather old
and evidently in grief, and 3 women are taking off their bracelets,
Public-domain text, read in full here on John Shaqi.
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