City and town life -- Fiction; Short stories, American
"What she wants of a dust-cap I dunno," Mis' Holcomb contributes,
pointing to the little lace and ribbon cap hanging beside the
toilet-table.
And I'd wondered that myself. She put it on for breakfast, like she was
going to do some work; then she never done a thing the whole morning,
only wrote.
Then all of a sudden was when I come out with something surprising.
"Why," says I, "it's gone!"
"What's gone?" they says. And I was looking so hard I couldn't
answer--bureau, chest of drawers, bookshelves, I looked on all of them.
"It ain't here anywhere," says I, "and he was _that_ handsome--"
I told them about the photograph, as well as I could. It was always
standing on the bureau, right close up by the glass--a man's picture
that always made me want to say: "Well, you look just exactly the way
you _ought_ to look. And I believe you are it." He looked like what you
mean when you say "man" when you're young--big and dark and frank and
boyish and manly, with eyes that give their truth to you and count on
having yours back again. That kind.
"Land," I says. "I'd leave a picture like that up in my room no matter
what occurred between me and the one the picture was the picture of. I
_couldn't_ take it down."
But now it was down, though I remembered seeing it stand there every
time I'd dusted ever since Miss Mayhew had come, up till this day. And
when I'd told the women all about it, they couldn't recover from
looking. They looked so energetic that finally Mis' Toplady pulled out
the wardrobe a little mite and peeked behind it.
"I thought mebbe it'd got itself stuck in here," she explains, bringing
her head back with a great streak of dust on her cheek--and I didn't
take it as any reflection whatever on my housekeeping. I've always
believed that there's some furniture that the dust just rises out of, in
the night, like cream--and of those the backs of wardrobes are chief.
Then she shoved the wardrobe in place, and the door that I'd fixed at
the top with a little wob of newspaper so it would stay shut, all of a
sudden swung open, and the other one followed suit. We three stood
staring at what was inside. For my wardrobe, that had never had anything
in it better than my best black silk, was hung full of pink and blue and
rose and white and lavender clothes. Dresses they were, some with little
scraps of shining trimming on, and all of them not like anything any of
us had ever seen, outside of fashion books--if any.
"My land!" says I, sitting down on the edge of the fresh-made bed--a
thing I never do in my right senses.
"Party clothes!" says Mis' Holcomb, kind of awelike. "Ball-gowns," she
says it over, to make them sound as grand as they looked.
"Why, mercy me," Mis' Toplady says, standing close up and staring.
"She's an actress, that's what she is. Them's stage clothes."
Public-domain text, read in full here on John Shaqi.
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