Peak and Prairie: From a Colorado Sketch-bookFuller, Anna
General
Peak and Prairie: From a Colorado Sketch-book
Fuller, Anna
Colorado -- Social life and customs -- Fiction; Frontier and pioneer life -- Fiction
"How old is your baby?" asked Lem, mindful of his duties as host.
"Four months," was the laconic reply; and as though embarrassed by the
personal nature of the inquiry, the man rose and repaired to a remote
corner, where he began a solemn waltz with his offspring in his arms.
It was an April evening, and the windows were open to the south. A cool
night-breeze came in, grateful alike to dancers and lookers-on. Lem sat
watching his twin brother Joe, who was taking his turn at the dance. Lem
usually watched Joe when he had the chance; for if the brothers were
bewilderingly alike in appearance, they were animated by a spirit so
unlike, that Joe's every look and action was a source of interest to
Lem. Indeed, it was his taste for Joe's society that had made a Colorado
ranchman of him. Nature had intended Lemuel Keith for a student, and
then, by a strange oversight, had made him the twin-brother of a
fascinating daredevil for whom the East was too narrow.
Lem sat and watched Joe, and observed the progress of the dance,
philosophizing over the scene in a way peculiar to himself. For his own
part, he never danced if he could help himself, but he found the dancing
human being a fruitful subject of contemplation. Joe's partner, in
particular, amused and interested him. She was a rather dressy young
person, with a rose-leaf complexion and a simpering mouth. Rose-leaf
complexions are rare on the sun-drenched, wind-swept prairies, and the
more effective for that. The possessor of this one, fully aware of her
advantage, was displaying, for her partner's delectation, the most
wonderful airs and graces. She glided about upon the points of her toes;
she gave him her delicately poised finger-tips with a birdlike coyness
which the glance of her beady black eyes belied. Joe was in his element,
playing the bold yet insinuating cavalier.
Lem Keith found a fascination in this first ranch dance of his. He liked
the heartiness of the whole performance; he enjoyed the sharp-cut
individuality of the people, their eccentricities of costume and
deportment; he was of too sensitive a fibre not to feel the dramatic
possibilities of the occasion. "Tenderfoot" as he was, the fact could
not escape him that a man in a flannel shirt, with a pistol at his
belt,--and most of the men were thus equipped,--was more than likely to
have a touch of lawlessness about him.
[Illustration: THE KEITH RANCH.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account