Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
I use this word deliberately, although no legal ceremony ever passed
between them. Her view was that a common affection was marriage, and
that the marriage tie should not bind after the death of love, if love
should die. It is probable, however, that only a series of untoward
circumstances made her act upon her opinions. A legal marriage with
Imlay was certainly difficult, apparently impossible. Her position as
a British subject was full of danger--a marriage would have forced
her openly to declare herself as such. It is a strong confirmation
of the view here taken to find that Madame de Staël, who, if any
one, knew the period of which we are speaking, makes a like fact the
sole obstacle to the marriage of Lord Nelvil and Madame D’Arbigny.
(‘Corinne, ou l’Italie,’ _vol. ii, p. 63_. 8th Edition. Paris: 1818.)
It may be doubted whether the ceremony, if any could have taken place,
would have been valid in England. Passing as Imlay’s wife, without such
preparatory declaration, her safety was assured, and as his wife she
was acknowledged by him. Charles Wollstonecraft wrote from Philadelphia
that he had seen a gentleman who knew his sister in Paris, and that he
was “informed that she is married to Captain Imlay, of this country.”
Long after the period at which we have now arrived, when Imlay’s
affection had ceased, and his desertion of Mary had practically begun,
he entrusted certain important business negotiations to her, and speaks
of her in a legal document as “Mary Imlay, my best friend and wife,”
a document which in many cases and countries would be considered as
constituting a marriage. She believed that his love, which was to her
sacred, would endure. No one can read her letters without seeing that
she considered herself, in the eyes of God and man, Imlay’s wife.
Religious as she was and with a strong moral sense, she yet made the
grand mistake of supposing that it is possible for one woman to undo
the consecrated custom of ages, to set herself in opposition to the
course of society, and not be crushed by it. And she made the no less
fatal mistake of judging Imlay by her own standard, and thinking that
he was as true, as impassioned, as self-denying as herself.
C. KEGAN PAUL: _Prefatory Memoir_ to ‘Mary Wollstonecraft’s Letters to
Imlay.’
* * * * *
[Sidenote: Her farewell to Imlay.]
I never wanted but your heart--that gone, you have nothing more to
give. Had I only poverty to fear, I should not shrink from life.
Forgive me then, if I say, that I shall consider any direct or indirect
attempt to supply my necessities, as an insult which I have not
merited, and as rather done out of tenderness for your own reputation,
than for me.
My child may have to blush for her mother’s want of prudence, and may
lament that the rectitude of my heart made me above vulgar precautions;
but she shall not despise me for meanness. You are now perfectly free.
God bless you!
Public-domain text, read in full here on John Shaqi.
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