Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 1 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
When we reached Skinner Street, he [Shelley] said, “I must speak with
Godwin; come in, I will not detain you long.” I followed him through
the shops, which was the only entrance, and up stairs. We entered a
room on the first floor; it was shaped like a quadrant. In the arc
were windows; in one radius a fire-place, and in the other a door,
and shelves with many old books. William Godwin was not at home.
Bysshe strode about the room, causing the crazy floor of the ill-built
dwelling-house to shake and tremble under his impatient footsteps....
I stood reading the names of old English authors on the backs of the
venerable volumes, when the door was partially and softly opened. A
thrilling voice called “Shelley!” A thrilling voice answered “Mary!”
And he darted out of the room, like an arrow from the bow of the
far-shooting king. A very young female, fair and fair-haired, pale
indeed, and with a piercing look, wearing a frock of tartan, an unusual
dress in London at that time, had called him out of the room. He was
absent a very short time--a minute or two; and then returned. “Godwin
is out; there is no use in waiting.”
THOMAS JEFFERSON HOGG: ‘Life of Shelley,’ 1858; quoted by R. H.
Stoddard. ‘Anecdote Biography of Shelley.’ New York: Scribner,
Armstrong & Co., 1877.
* * * * *
[Sidenote: Elopement with Shelly.]
It was not until the summer of 1814 that Shelley and Mary Godwin
became really acquainted, when he found the child whom he had scarcely
noticed two years before, had grown into the woman of nearly seventeen
summers.... Shelley came to London on May 18th, leaving his wife
at Binfield, certainly without the least idea that it was to be a
final separation from him, though the relations between husband and
wife had for some time been increasingly unhappy. He was received in
Godwin’s house on the old footing of close intimacy, and rapidly fell
in love with Mary. Fanny Godwin was away from home visiting some of
the Wollstonecrafts, or she, three years older than Mary, might have
discouraged the romantic attachment which sprang up between her sister
and their friend. Jane Clairmont’s influence was neither then, nor at
any other time, used judiciously. It was easy for the lovers, for such
they became before they were aware of it, to meet without the attention
of the parents being drawn to the increasing intimacy, and yet without
any such sense of clandestine interviews, as might have disclosed to
themselves whither they were drifting. Mary was unhappy at home; she
thoroughly disliked Mrs. Godwin, to whom Fanny was far more tolerant;
her desire for knowledge and love of reading were discouraged, and when
seen with a book in her hand, she was wont to hear from her stepmother
that her proper sphere was the store-room. Old St. Pancras church-yard
was then a quiet and secluded spot, where Mary Wollstonecraft’s grave
was shaded by a fine weeping-willow. Here Mary Godwin used to take her
Public-domain text, read in full here on John Shaqi.
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