Penelope's English Experiences: Being Extracts from the Commonplace Book of Penelope HamiltonWiggin, Kate Douglas Smith
General
Penelope's English Experiences: Being Extracts from the Commonplace Book of Penelope Hamilton
Wiggin, Kate Douglas Smith
Americans -- England -- Fiction; England -- Social life and customs -- 19th century -- Fiction
The room was dim with the light of a single lamp; the rain had ceased;
the roar of Piccadilly came to us softened by distance. A belated vendor
of lavender came along the sidewalk, and as he stopped under the windows
the pungent fragrance of the flowers was wafted up to us with his song.
'Who'll buy my pretty lavender?
Sweet lavender,
Who'll buy my pretty lavender?
Sweet bloomin' lavender.'
The tune comes to me laden with odours. Is it not strange that the
fragrances of other days steal in upon the senses together with the
sights and sounds that gave them birth?
Presently a horse and cart drew up before an hotel, a little further
along, on the opposite side of the way. By the light of the street lamp
under which it stopped we could see that it held a piano and two persons
beside the driver. The man was masked, and wore a soft felt hat and a
velvet coat. He seated himself at the piano and played a Chopin waltz
with decided sentiment and brilliancy; then, touching the keys idly for
a moment or two, he struck a few chords of prelude and turned towards
the woman who sat beside him. She rose, and, laying one hand on the
corner of the instrument, began to sing one of the season's favourites,
'The Song that reached my Heart.' She also was masked, and even her
figure was hidden by a long dark cloak the hood of which was drawn over
her head to meet the mask. She sang so beautifully, with such style and
such feeling, it seemed incredible to hear her under circumstances like
these. She followed the ballad with Handel's 'Lascia ch'io pianga,'
which rang out into the quiet street with almost hopeless pathos. When
she descended from the cart to undertake the more prosaic occupation
of passing the hat beneath the windows, I could see that she limped
slightly, and that the hand with which she pushed back the heavy dark
hair under the hood was beautifully moulded. They were all mystery that
couple; not to be confounded for an instant with the common herd of
London street musicians. With what an air of the drawing-room did he
of the velvet coat help the singer into the cart, and with what elegant
abandon and ultra-dilettantism did he light a cigarette, reseat himself
at the piano, and weave Scots ballads into a charming impromptu! I
confess I wrapped my shilling in a bit of paper and dropped it over the
balcony with the wish that I knew the tragedy behind this little street
drama.
Public-domain text, read in full here on John Shaqi.
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