Penelope's English Experiences: Being Extracts from the Commonplace Book of Penelope HamiltonWiggin, Kate Douglas Smith
General
Penelope's English Experiences: Being Extracts from the Commonplace Book of Penelope Hamilton
Wiggin, Kate Douglas Smith
Americans -- England -- Fiction; England -- Social life and customs -- 19th century -- Fiction
Willie Beresford was in a royal mood that night. You know the mood, in
which the heart is so full, so full, it overruns the brim. He bought
the entire stock of the lavender seller, and threw a shilling to
the mysterious singer for every song she sung. He even offered to
give--himself--to me! And oh! I would have taken him as gladly as ever
the lavender boy took the half-crown, had I been quite, quite sure of
myself! A woman with a vocation ought to be still surer than other women
that it is the very jewel of love she is setting in her heart, and not
a sparkling imitation. I gave myself wholly, or believed that I gave
myself wholly, to art, or what I believed to be art. And is there
anything more sacred than art?--Yes, one thing!
It happened something in this wise.
The singing had put us in a gentle mood, and after a long peroration
from Mr. Beresford, which I do not care to repeat, I said very softly
(blessing the Honourable Arthur's vociferous laughter at one of
Salemina's American jokes), “But I thought perhaps it was Francesca. Are
you quite sure?”
He intimated that if there were any fact in his repertory of which he
was particularly and absolutely sure it was this special fact.
“It is too sudden,” I objected. “Plants that blossom on shipboard-”
“This plant was rooted in American earth, and you know it, Penelope. If
it chanced to blossom on the ship, it was because it had already budded
on the shore; it has borne transplanting to a foreign soil, and it
grows in beauty and strength every day: so no slurs, please, concerning
ocean-steamer hothouses.”
“I cannot say yes, yet I dare not say no; it is too soon. I must go off
into the country quite by myself and think it over.”
“But,” urged Mr. Beresford, “you cannot think over a matter of this
kind by yourself. You'll continually be needing to refer to me for data,
don't you know, on which to base your conclusions. How can you tell
whether you're in love with me or not if-- (No, I am not shouting at
all; it's your guilty conscience; I'm whispering.) How can you tell
whether you're in love with me, I repeat, unless you keep me under
constant examination?”
“That seems sensible, though I dare say it is full of sophistry; but I
have made up my mind to go into the country and paint while Salemina and
Francesca are on the Continent. One cannot think in this whirl. A winter
season in Washington followed by a summer season in London,--one wants
a breath of fresh air before beginning another winter season somewhere
else. Be a little patient, please. I long for the calm that steals over
me when I am absorbed in my brushes and my oils.”
Public-domain text, read in full here on John Shaqi.
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