Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
“Ye men of Ephesus, what man is there that knoweth not how that the
city of the Ephesians is a worshipper of the great goddess Diana, and
of the image which fell down from Jupiter?” (Acts xix, 35.) This
question of the town clerk is strangely illustrated by an inscription
found by Chandler near the aqueduct at Ephesus, which states that “It
is notorious that not only among the Ephesians, but also everywhere
among the Greek nations, temples are consecrated to her,” etc.
Footnote 106:
Anthon’s Class. Dict.
Footnote 107:
A principal seat of Ishtar’s worship.
Footnote 108:
The end of this line, and all the remaining lines of Column I, are
lost, but some mutilated fragments indicate that Namtar is commanded
to afflict Ishtar with dire diseases of the eyes, the feet, the heart,
the head, etc.
Footnote 109:
A sign of violent grief in the East, forbidden in Deut. xiv, 1; also
Lev. xix, 28.
Footnote 110:
Nabonidus says in his inscription (Col. II, 17) Oh, sun, protect this
temple, together with the moon, thy father.
Footnote 111:
A genius often mentioned, who here acts the part of a judge,
pronouncing the absolution of Ishtar.
Footnote 112:
Tablet K, 162, British Museum, translated by H. Fox Talbot, F.R. S.
Records of the Past, Vol. I, 1st Series.
CHAPTER IV.
PERSIAN MYTHOLOGY.
THE COMMON SOURCE OF MYTHOLOGY—MYTHICAL MOUNTAINS—RIVERS—MYTHICAL BIRDS—
AHŪRA MAZDA—ATAR—THE STORM GOD—YIMA—THE CHINVAT BRIDGE—MITHRA—
RÉSUMÉ.
We have briefly sketched in the preceding chapter the more tolerable
features of a mythology which is evidently the common source of the
later pantheons. The picture of human sacrifices, and practices which
are still more revolting, have been avoided, as unnecessary to the
general purpose, while the poetic figures of these ancient myths are
dwelt upon with peculiar pleasure.
Persian civilization was to a great extent the product of Babylonian
elements, and her mythology was born of that type of sensual idolatry
too gross for description. But the Persians were a poetic people, and in
their hands these ancient myths were refined and somewhat elevated. The
hideous idols called sun-images, which were used in the worship of
Chemosh, gave place to the adoration of the sun itself, as the great
source of all physical light. It was by the hand of Persia that the
sacred bull of Egypt was smitten down, and also the golden couch of
Baal, with all its attendant horrors. But even Persia is accused of
having at times practiced the horrible rite of human sacrifice, and the
Babylonian Venus found admission, even among the people whose king had
stabbed the Egyptian Apis, and overturned his shrine.[113]
Public-domain text, read in full here on John Shaqi.
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