Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
Persia was a land of extremes, and the richest part of her dominions was
fated to lie beneath the early snows, and feel the severity of winter,
while the central portion of the country was one vast desert, whose
scorching simoons were as much to be dreaded as the snows of her
northern table-lands. The early settlers of Īrān, therefore, were forced
to win their bread and develop their resources by the most arduous
labor, and the dreamy mythology of the Hindūs gave way in their minds to
the sterner conflict between good and evil.
The opposition between light and darkness became a prominent feature of
their mythology, for the battles which raged in Hindū skies between
Indra, the storm king, and his constant enemy, Vṛitra, became to the
sons of Īrān a personal strife with the powers of nature, and instead of
dreaming of a contest in the clouds, they sang of the daily battle in
lives which were crowded with hardship. Hence it is that Ormazd and
Ahriman, in their continual strife, form the background of the national
mythology, although Persia took the sun for her emblem, and called her
kings by his royal name; a flashing globe was the signal light above the
imperial tent, and the golden eagle was perched upon the ensign that led
the Persian troops to victory.
MYTHICAL MOUNTAINS.
The silent mountains standing calmly beneath the skies of blue, while
the ages come and go, always command the reverence of the human heart.
With forests around their feet, the gray peaks reach upward to dim and
ashen heights, where the white snow lies unpolluted by the foot of man.
Their frost-crowns gleam in the sunlight of noon, or change to tints of
opal and crimson light beneath the farewell fires of the setting sun. No
wonder, then, that in the fables of all people the gods are enthroned on
wondrous heights. The old Assyrian kings wrote upon their strange
tablets of “the world mountain,” which, although rooted in hades, still
supported the heavens with all their starry hosts. The world was bound
to it with a rope, like that with which the sea was churned in the later
Hindū legend, for the lost ambrosia of the gods,[114] or like the golden
cord of Homer with which Zeus proposed to suspend the nether earth,
after binding the cord about Olympus.[115] This mythical mountain was
the abode of the gods, and it was this of which the Babylonian king
said:
“I will exalt my throne above the stars of God;
I will sit upon the mount of the congregation in the sides of the
north;
I will be like the Most High.”[116]
It was between the “Twin Mountains” that the sun passed in its rising
and setting, and the rocky gates were guarded by the “scorpion men,”
whose heads were at the portals of heaven, and their feet in hell
beneath.[117]
Public-domain text, read in full here on John Shaqi.
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