The Badawi cranium is small, ooidal, long, high, narrow, and remarkable in the occiput for the development of Gall’s second propensity: the crown slopes upwards towards the region of firmness, which is elevated; whilst the sides are flat to a fault. The hair, exposed to sun, wind, and rain, acquires a coarseness not natural to it[FN#8]: worn in Kurun[FN#9]—ragged elf-locks,—hanging down to the breast, or shaved in the form Shushah, a skull-cap of hair, nothing can be wilder than its appearance. The face is made to be a long oval, but want of flesh detracts from its regularity. The forehead is high, broad, and retreating: the upper portion is moderately developed; but nothing can be finer than the lower brow, and the frontal sinuses stand out, indicating bodily strength and activity of character. The temporal fossa are deep, the bones are salient, and the elevated zygomata combined with the “lantern-jaw,” often give a “death’s-head” appearance to the face. The eyebrows are long, bushy, and crooked, broken, as it were, at the angle where “Order” is supposed to be, and bent in sign of thoughtfulness. Most popular writers, following De Page,[FN#10] describe the Arab eye as large, ardent, [p.82] and black. The Badawi of the Hijaz, and indeed the race generally, has a small eye, round, restless, deep-set, and fiery, denoting keen inspection with an ardent temperament and an impassioned character. Its colour is dark brown or green-brown, and the pupil is often speckled. The habit of pursing up the skin below the orbits, and half closing the lids to exclude glare, plants the outer angles with premature crows’-feet. Another peculiarity is the sudden way in which the eye opens, especially under excitement. This, combined with its fixity of glance, forms an expression now of lively fierceness, then of exceeding sternness; whilst the narrow space between the orbits impresses the countenance in repose with an intelligence not destitute of cunning. As a general rule, however, the expression of the Badawi face is rather dignity than that cunning for which the Semitic race is celebrated, and there are lines about the mouth in variance with the stern or the fierce look of the brow. The ears are like those of Arab horses, small, well-cut, “castey,” and elaborate, with many elevations and depressions. The nose is pronounced, generally aquiline, but sometimes straight like those Greek statues which have been treated as prodigious exaggerations of the facial angle. For the most part, it is a well-made feature with delicate nostrils, below which the septum appears: in anger they swell and open like a blood mare’s. I have, however, seen, in not a few instances, pert and offensive “pugs.” Deep furrows descend from the wings of the nose, showing an uncertain temper, now too grave, then too gay. The mouth is irregular. The lips are either bordes, denoting rudeness and want of taste, or they form a mere line. In the latter