Personality in LiteratureScott-James, R. A. (Rolfe Arnold)
Philosophy
Personality in Literature
Scott-James, R. A. (Rolfe Arnold)
English literature -- 20th century -- History and criticism; Literature
But it seems that the more educated and the more organised we become,
the more we leave our affairs to be managed by professionals. When a
nation declares for war, it declares for a war to be waged by its
professionals, and it turns them on to do a job which, according to
civilised practices, is a dirty job. And when it is fired with
patriotic pride for achievements won in the field it is exercising its
emotions on something it cannot understand or realise, for the simple
reason that the violence of war is strange, distantly horrible,
fascinating, but unfamiliar. It has never directly entered into our
experience.
V
SPECIALISM IN LITERATURE
Some time ago Mr. Brander Matthews made the original suggestion in the
_North American Review_ that books should be written for the benefit
of the reader. The suggestion is not on the face of it paradoxical,
but it will be rank heresy to those who blame the public for not
bowing down before the sacrosanctity of the "serious" author. He
admits that "a book ought to be rich with the full flavour of the
author's personality;" primarily it ought to express him; but
secondarily--and this is Mr. Brander Matthews' point--"it is for the
sole benefit of the reader."
I think we may go a little further than Mr. Matthews, and find a
second reason why certain authors fail to find favour with the general
reader. In the case which Mr. Matthews seemed to be considering there
are authors who have every qualification for writing except that they
cannot write. Secondly, there are authors who, in the ordinary
literary sense of the term, can write, who have gathered knowledge and
formed seriously-grounded opinions about life, who are nevertheless so
out of touch with the broad, common interests of men that they
invariably fail to make a strong emotional or imaginative appeal.
Every reader is acquainted with the tiresome writer who has a great
deal to say but labours infinitely in the saying of it. In a crude,
energetic, excessively eulogised novel published in America a few
years ago--_Queed_--we were introduced to an economist engaged upon a
work so learned that he knew there were only three persons in America
capable of understanding it. There is, doubtless, something to be said
for an appreciative audience of three; but it is safe to assert that
even the exact sciences might be made more widely intelligible. I am,
however, thinking primarily of those studies which have some claim to
rank as literary studies. It is through literature that the historian,
the biographer, the sociologist, and the philosopher must make their
contributions to knowledge. Yet how much research and how much acute
thinking are wasted because the student has not the means of making
his subject alive for others, has not the reconstructive imagination
by means of which truth is communicated! It is because he cannot
write.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account