Husband and wife -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Such talk as had flourished between the two girls had not yet penetrated
beyond the barrier where triviality ceases, and past dances, with keen
criticism on their merits, and dances to come, and the adequacy of
various partners (among whom Peter’s name flitted by like blowing
thistledown) had been flashed on and off the public plate. There had
been a little longer exposure for the projected party at which the
Russian ballet were to supply the entertainment, and Nellie had been
informed, with horrified eagerness on the part of Silvia, that, of
course, she had been bidden: the invitation had only been inscribed that
afternoon. Her acceptance of it was equally “of course,” and with the
luck that attended friends, the date of it was a clear two days before
her marriage. Trivial though it had all been, she felt that the
Hamadryad (herself) had been doing spade-work in the shade. The ground
was cleared and levelled; every topic that she might now wish to work up
into a more elaborate tapestry had been put in on tentative threads,
much as characters in a decently-written drama, flit, at any rate,
across the stage in the first act. The two, delightfully grouped,
hatless, and secure from interruption, had come to anchor in the
circular shade of an old thorn-bush not far from the edge of reeds that
fringed the pond. The red petals of the spent blossom dropped down from
time to time; the hum and murmur of June woods was a carpet on which
more intimate conversation could lightly spread itself.
Nellie drew up and clasped her knees.
“Fancy my impertinence in dragging you out to Richmond Park when I know
that you had a hundred things that you wanted to do,” she said. “Tell
me, what would you have done if I hadn’t appeared like some bird of prey
and clawed you? Now don’t say that you would have had tea with your
mother and gone for a drive in the Park. If you do, I simply shan’t
believe you.”
Yes, she was more dazzling, so Silvia found, when there was no one to
contrast her with. The sheer, silly, conventional tittle-tattle took a
sparkling quality quite alien to it when it came from her mouth. Her
personality was like coloured lights playing on a fountain and turning
the drops to gems.
“I must be silent, then,” she said.
“Oh, don’t be silent! When people are silent it means they are only
being polite. If they were less polite they would say that they were
excruciatingly bored. Then, after a suitable silence, they say, ‘How
charming it is here!’ Don’t say ‘how charming it is here.’ That will be
the last straw, Silvia. Dear me, I said ‘Silvia’ by accident. It--what
they call--slipped out.”
“Oh, do say it on purpose, then,” said Silvia.
Public-domain text, read in full here on John Shaqi.
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