"One of the first picture-dealers in London, my dear fellow. Hang it
all, you know, I couldn't refuse--awfully sorry!"
So I drove to the Derby in solitary splendor, but the bright weather,
the humors of the road, all the gay scenes were thrown away upon me,
such was the bitterness of my heart.
[Illustration]
In the early afternoon I saw Merridew lunching on the top of a drag,
among some men of smart and aristocratic appearance. He seemed to be the
life of the party, and gave me a good-humored nod as I passed. I soon
found Lyon sitting disconsolate in his hansom, scowling and solitary; he
invited me to lunch with him, and disembosomed himself of a load of
bitterness as intense as mine (which I kept to myself). The shrewd
Hebrew tradesman was sunk in the warm-hearted, injured friend. Merridew
had left Lyon for the Earl of Chiselhurst, just as he had left me
for Lyon.
That was a dull Derby for us both!
A few days later I met Merridew, radiant as ever. All he said was:
"Awful shame of me to drop old Lyon for Chiselhurst, eh? But an earl, my
dear fellow! Hang it all, you know! Poor old Mo had to get back in his
hansom all by himself, but he's bought the 'Sun-god' all the same."
Merridew soon dropped me altogether, to my great sorrow, for I forgave
him his Derby desertion as quickly as Lyon did, and would have forgiven
him anything. He was one of those for whom allowances are always being
made, and with a good grace.
He died before he was thirty, poor boy! but his fame will never die. The
"Sun-god" (even with the bridge of that nose which had been so wofully
put out of joint) is enough by itself to place him among the immortals.
Lyon sold it to Lord Chiselhurst for three thousand pounds--it had cost
him five hundred. It is now in the National Gallery.
[Illustration]
Poetical justice was satisfied!
* * * * *
Nor was I more fortunate in love than in friendship.
All the exclusiveness in the world cannot exclude good and beautiful
maidens, and these were not lacking, even in Pentonville.
Public-domain text, read in full here on John Shaqi.
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